{"title":"Everything","description":null,"products":[{"product_id":"first-journey-home-misha-kominek","title":"Strangers in Paradise","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eSigned Copy\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-subtitle\"\u003eKominek Books \/ september 2013 \/ 34 x 43.5 cm \/ 56 pages \/ 30 color images \/ ISBN 978-3-9815105-4-6 \/ soft cover \/ Edition of 500 \/\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\"\u003e-\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-note2\"\u003e\n\u003cp class=\"bodytext\"\u003e\u003ci\u003eStrangers in Paradise\u003c\/i\u003e is about the beaches, attractions and sunburnt pilgrims of Lloret de Mar, the Costa Brava’s most famous holiday resort. It is also about the long summer of 1998 and young photographer Misha Kominek’s encounter with one of his major childhood fantasies. By the late 1990s, Lloret de Mar had developed a reputation as a holiday paradise for Central and Eastern European tourists eager for beach and sun. Long before the advent of low-cost air travel, this small but densely constructed coastal town in northern Catalonia became the target destination for young, penniless couples in love, teenagers celebrating their graduation from school, single men seeking amorous adventures and large families looking for affordable vacations. While Russians—currently Lloret’s most wealthy visiting community—predominate today, it used to be filled with Germans from the former East Germany, Czechs, Poles and many others. They would endure an infernal two to three-day trip by car or coach through a multitude of international borders, languages and currencies just to savor their small spot in heaven...\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e\u003ci\u003eStrangers in Paradise\u003c\/i\u003e consists of recollections of that moment of conclusion and reunion, the reunion of a wandering outsider with his own people in utopia, the discovery of the missing parts of his identity, its completion and the sweet acceptance of strangeness. Far from being anchored in clichés, this book offers a revealing insight of what lies beneath tourism, globalization, souvenirs and folklore. In lyrical terms, the photographer exposes the tender innocence and sheer, ecstatic beauty of northern\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Misha Kominek","offers":[{"title":"Default Title","offer_id":15403382112326,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/140414_68839.jpg?v=1539509632"},{"product_id":"good-goddamn","title":"Good Goddamn - Signed copy","description":"\u003cp\u003e12 x 9 inches. 44 pages. 27 duotone reproductions printed on Mohawk Superfine uncoated paper. Flexible cover. Carton staple binding. 15 x 20.25 inch foldout poster included. Produced and printed in the USA\u003c\/p\u003e\n\u003cp\u003eGood Goddamn, published by Trespasser, tells a nominally simple story. Shot over a period of a few days in February 2017, in Leon County, Texas, Good Goddamn documents, in only twenty-seven photographs, the last few days of freedom of Schutmaat’s friend Kris before he went into prison. As this is a book of hints and half-lights, the spaces between the pictures being as important, so to speak, as the pictures themselves, we are not informed of the crime that led to Kris’s incarceration, nor the duration of the sentence. But the fact he was not in custody possibly suggests that the misdemeanour was not serious, although the psychological weight of the book perhaps points to the opposite.\u003cbr\u003eText by Gerry Badger from his review for 1000Words\u003c\/p\u003e","brand":"Bryan Schutmaat","offers":[{"title":"Default Title","offer_id":15407880110150,"sku":"","price":128.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/01_5cf6453d-5d70-4af0-93b6-9b2c397cc034.jpg?v=1784704725"},{"product_id":"a-minor-wrong-doing-signed","title":"A Minor Wrong Doing - signed","description":"\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/span\u003e63mm x 210mm \/ Softcover with embossing and silver ink on black paper \/ 288 pages \/ Design and editing by Henrik Malmström and Misha Kominek \/ Limited Edition of 375 copies \/ July 2015 Kominek books \/\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\" style=\"text-align: center;\"\u003e\n\u003cp class=\"bodytext\"\u003eSlowly but steadily we become immersed in what Henrik\u2028 Malmström saw and photographed from the window of his\u2028 living room. The pages of A Minor Wrongdoing unfold as a\u2028hypnotic sequence of candid shots taken at the\u2028 neighbourhood of St. Georg in Hamburg, between 2011\u2028and 2014. Hundreds of them, they record the last remains \u2028of street life in an urban area that is currently under going \u2028fierce gentrification after recent official law enforcement \u2028against street-based prostitution. Malmström used a cheap\u2028 digital camera forcing its ISO levels to reproduce in each\u2028 scene the raw effect of a surveillance cam. The grainy\u2028 monochromatic material of his voyeuristic enterprise has\u2028 been put together in this voluminous book replicating a \u2028messy police report archive. Printed in sharp dots, the grain \u2028adds a grade of unprecedented abstraction and beauty to\u2028 the sequence whereas the quantity of images breaks with\u2028the conventional linear story structure. There is an uncanny\u2028feel in it. And obsession: the unconfessed obsession of a\u2028photographer who happened to be in the right place at the\u2028right time. We do not get to see much of what he\u2028 photographed but we can still imagine pretty much\u2028 happening in this obscure underworld of transactions.\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e-\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"shop-cart-widget\"\u003e\n\u003cdiv class=\"put-to-cart\"\u003e\u003cform method=\"post\" name=\"item_615\" action=\"index.php?id=11\u0026amp;tx_ttproducts_pi1%5BbackPID%5D=14\u0026amp;cHash=69cdbe22bd\"\u003e\n\u003cdiv class=\"product-note2\"\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eFinnish photographer Henrik Malmström (b.1983) currently lives and works in Buenos Aires, Argentina. His work is often the result of the interaction with his immediate surroundings. In 2010 he self-published On Borrowed Time, his first book of photographs. In the same year he moved to Hamburg, Germany, where he developed and completed his two projects “A Minor Wrongdoing” and “Life is One Live it Well” by 2014. He is the co-founder and curator of the Müllkellergalerie, a premium art gallery located in a garbage room in Hamburg, Germany. In 2015 he co-founded the online platform Vaciarte, that deals with arts and politics in Buenos Aires.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henrik Malmström","offers":[{"title":"Default Title","offer_id":17117035528262,"sku":"","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/150810_1637_cover.jpg?v=1540735819"},{"product_id":"life-is-one-live-it-well-signed","title":"Life is One Live it Well - signed","description":"\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e210mm x 300mm \/ hardcover with embossing \/ 256 pages + 1 loose paper \/ Design and editing by Henrik Malmström and Misha Kominek \/ Limited Edition of 375 copies \/ signed and numbered \/ July 2015 Kominek books \/\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e_\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\" style=\"text-align: center;\"\u003e\n\u003cp class=\"bodytext\"\u003eLife is One Live it Well takes us back to the dodgy area of St. Georg in Hamburg and to many of its barrooms: Mickey Mouse, Windstärke 11, Zum Frühaufsteher, Rund um die Uhr, Moin Moin, Treff Hamburg-München, also the Vanessa Bar, Dschungel Bar, Rubin Bar, Moulin Rouge, Zar und Zimmermann and the Astra Stübchen. Now that the party is over, these bars have turned into mausoleums of the good old times and fading testimonies of a quartier that is frenetically changing under the effect of gentrification and the ban on street prostitution. \u003cbr\u003e\u003cbr\u003eHenrik Malmström was curious to know what was actually happening inside these places. So, he started frequenting them. For four years, he befriended regulars, bartenders and clients. He became one of them. Then a sort of photo metamorphosis happened through the life in the bars of St. Georg. Like a cockroach, his camera, started crawling on the floor recreating what it feels like after a night of solitary rounds. \u003cbr\u003e\u003cbr\u003eBalloons, velvet cushions, faded wallpaper and champagne –decayed fragments of the old fancy times, all shot with flashlight, all in close-up. They could perfectly be the snaps of a drunkard. \u003cbr\u003e\u003cbr\u003eAnd then, it’s people. Living characters. Life’s rebels. Moralists call them the prostitutes, pimps, underdogs and petty criminals of Hamburg’s streets of shame. But, in fact, what they are is common people living their lives the best they can. Just like everyone they want to hang out, have fun and some beer. \u003cbr\u003e\u003cbr\u003eSomewhere between the bittersweet fatalism of Rainer Werner Fassbinder and the deadpan mien aesthetics of Aki Kaurismäki, Malmström recreates in colour a contemporary “Café Lehmitz”. Its ambience is imbued with visual stylization and a warm-hearted emotional immediacy towards its people who just want to be left in peace and “drink their bitter cup of broken dreams”, as the famous Finnish tango artist Olavi Virta sings. After all, life is one, so you better live it well. Thank you for the visit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"shop-cart-widget\"\u003e\n\u003cdiv class=\"put-to-cart\"\u003e\n\u003cform method=\"post\" name=\"item_616\" action=\"index.php?id=11\u0026amp;tx_ttproducts_pi1%5BbackPID%5D=14\u0026amp;cHash=69cdbe22bd\"\u003e\n\u003cdiv class=\"product-note2\"\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eFinnish photographer Henrik Malmström (b.1983) currently lives and works in Buenos Aires, Argentina. His work is often the result of the interaction with his immediate surroundings. In 2010 he self-published On Borrowed Time, his first book of photographs. In the same year he moved to Hamburg, Germany, where he developed and completed his two projects “A Minor Wrongdoing” and “Life is One Live it Well” by 2014. He is the co-founder and curator of the Müllkellergalerie, a premium art gallery located in a garbage room in Hamburg, Germany. In 2015 he co-founded the online platform Vaciarte, that deals with arts and politics in Buenos Aires.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Henrik Malmström","offers":[{"title":"Default Title","offer_id":17203376390214,"sku":"","price":78.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover_LIOLIW_72d06c51-428f-4b93-b44c-6fb01c0861f5.jpg?v=1540838815"},{"product_id":"country-of-woman-signed","title":"Country of Woman - signed","description":"\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003epre-order\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eships after 15 November 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003eSoftcover \/ 26 pages \/ 5 posters \/ and a sticker \/ \u003cstrong\u003eEdition of 100 copies\u003c\/strong\u003e \/ Printed on a risograph using 100% recycled paper \/\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003eDesigned by Yulia Kondrateva \/ Printed by Esh Print\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\"\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eMargo works primarily with portrait photography. In her works she discovers and celebrates primacy of sexuality, intimacy, and empowerment through femininity.\u003cbr\u003eIn her latest body of work she photographs queer women in the former USSR. This series of black and white pictures is supposed to reflect the sensation of disillusionment for a large group of people of Margo’s generation who believed in a possibility that their nations would embrace queerness as such and the hostility towards it will gradually come to an end. To keep the conversation going, Margo addresses the lack of cultural memory available for queer women in post-soviet world. Having been overshadowed by heterosexual mainstream, queerness - and especially female one - in the former USSR, always remained a current event with no history, with almost no visual legacy.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eMargo approaches this issue with an attempt to bring what could be this legacy upon modern-day queer portrait. Her main tool is posing, derivative of a soviet-era female body representation, with sport-related imaging being the most direct inspiration. The idea of physical tension under intangible circumstances - as in both competition and oppression - is a backbone for the whole series as well as some of Margo’s earlier works. Her childhood background in gymnastics first led to her project called Furious Like a Child, dealing with an issue of forced exposure of female body in sports. This time she uses a somewhat reversed approach - inherently sexualized subject of queerness is shown through supposedly asexual posing and overall aesthetics reminiscent of Soviet-era propaganda.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eThis way the visual identity of female queerness leans toward powerfulness, yet remains in the realm of attractiveness with the latter being a most potent device for female empowerment in Margo’s work.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Margo Ovcharenko","offers":[{"title":"Default Title","offer_id":17427285180486,"sku":"","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover_margo_shop.jpg?v=1541102492"},{"product_id":"amercian-winter-signed","title":"American Winter - Special Edition","description":"\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003eSOLD OUT\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e360 pages \/ Linen bound hardback \/ with tipped-in image front and back \/\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e*\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSpecial edition divided into 5 sets, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e\u003cspan\u003eeach comprising a signed first edition of the book housed in a cardboard mailer slipcase \u003cstrong\u003ewith one of five silver gelatin prints \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e\n\u003cspan\u003e[signed and numbered].\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"product-subtitle\"\u003e-\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\"\u003e\n\u003cp style=\"text-align: center;\" class=\"bodytext\"\u003eSince the early eighties, Gerry Johansson has made quiet pictures of quiet places, often lying in the shadows of industrial decline. For \u003ci\u003eAmerican Winter\u003c\/i\u003e, Johansson travelled through semi-deserted towns in Kansas, Nebraska, South Dakota, North Dakota, Montana, Wyoming and Colorado, finding as much beauty as there was misery in landscapes cloaked in snow: an isolated church floating in a mottled sea of white; leafless trees lining endless highways leading to nothing; long shadows cast on vernacular architecture in the season’s merciless sun. In his photographs time appears to stand still: neighbourhoods that once possessed the allure of Art Deco architecture, or the glory of bustling Main Streets, are now home to abandoned school buildings and cars parked decades ago. Johansson’s ascetic framing and sensitivity to light lends itself to the scenery and the sense of hopelessness evoked by these neglected places.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"bodytext\"\u003eGerry Johansson (b. 1945) is a Swedish photographer who developed an interest in photography during his teen years and moved to New York in the early 1960s. He later studied graphic design at Konstindustriskolan (today the School of Design and Crafts at the University of Gothenburg), working in graphic design for fifteen years. Since the mid-1980s he has worked as a freelance photographer. His first solo exhibition was at the Fotografiska Museet at the Moderna Museet, 1982. Supplement: Deutschland is the final book in the series of geographically focused publications starting with Amerika (1998), Sverige (2005), Kvidinge (2007), Ulan Bator (2009) and Pontiac (2011), Deutschland (2012), Antarktis (2014), Ravenna (2016) and Tokio (2016\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gerry Johansson","offers":[{"title":"Bridgeport","offer_id":39394790080586,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false},{"title":"Rockham","offer_id":39394790113354,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false},{"title":"Circle","offer_id":39394795323466,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false},{"title":"Froid","offer_id":39394795520074,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false},{"title":"White Earth","offer_id":39394795552842,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover3_1600x_93124ecb-86a6-4d7a-81b5-f210a70aa796.jpg?v=1631468516"},{"product_id":"relacion-signed","title":"RELACIÓN - signed","description":"\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-subtitle\"\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e\n\u003cstrong\u003e In Stock\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003eMadrid 2018. ed. by Miguel Wandschneider \/ text Patrizia Dander \u0026amp; Brian Sholis. 23 x 33 cm. \/ 96 pages \/ 31 images., softocover \/ Text engl. \u0026amp; span.\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\"\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003e\u003cb\u003eThe work of Jochen Lempert (Germany, 1958) engages with photography from the optic of research and visuality, very often with the intention of questioning the criteria behind a search for the truth and the models that shape the world. The artist portrays the animal world in the most varied contexts: ranging from the natural habitat to Natural History museums, from the zoo to the city, in remote locations or in banal situations and objects. In his tireless quest, Lempert has managed to create a vast archive of images that covers a wide spectrum spanning everything from everyday views to compositions that tend more towards abstraction. !This interest in the natural world as subject matter is coupled with an exhaustive examination of the properties and materiality of the photographic image. Analogue, in black and white, and developed in the darkroom, his photos refuse to be categorised and are removed from contemporary aesthetic canons.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jochen Lempert","offers":[{"title":"Default Title","offer_id":17431613145158,"sku":"","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Cover_Relacion_SHOP.jpg?v=1541108673"},{"product_id":"alexander-signed","title":"Alexander - signed","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003epre-order\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eships mid November 2018\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e144+20 pages, 43 plates, 207x263 mm,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eoffset print on Munken Lynx 150gsm,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ehard cover, hand-coloured edges\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eSelf-published in edition of 750 copies, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e30+3AP in portfolio edition\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eDesigned by Olga Łacna \/ \u003cspan\u003eIFF\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003eText authors: Marek Matyjanka, Micha\u003c\/span\u003e\u003cspan\u003eł Murawski\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eProject supported by Calvert 22 Foundation, FIDAL, Docking Station and Arctic Paper Polska\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003e“Alexander” is a story based on the relationship between politics, history and culture, centred around the construction of a national myth in the (Former Yugoslav) Republic of Macedonia – a state with no name, fixated on a dispute about origins so distant that they may have never existed at all.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Michal Siarek","offers":[{"title":"Default Title","offer_id":17500028862534,"sku":"","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/alexander_cover_shop.jpg?v=1541157321"},{"product_id":"i-am-not-i","title":"I AM NOT I","description":"\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003eLimited Edition of 500\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e64 Pages\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e240  X 330 mm\u003cbr\u003eprinted duo tone on uncoated paper\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003em Not I brings together 33 tritone images from Boris Mikhailov's iconic series of self portraits made as the Soviet Union collapsed.\u003cbr\u003e\u003cbr\u003e\"In describing the genesis of I Am Not I in the political context of the aftermath of the collapse of the Soviet state, Mikhailov has suggested that he was performing a kind of anti-heroic riposte to the muscular confidence of Soviet-era monumental iconography.\u003cbr\u003e\u003cbr\u003eI Am Not I, a thoroughly unacceptable series of propositions on masculinity, libido and the egoideal, is not only an artist’s performance for the camera, but a deliberately self-cancelling account of the impossible contradictions of authorship and identity.\"\u003cbr\u003eExtract from text by Simon Baker\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eI AM NOT I is an iconic series of self-portraits made by Boris Mikhailov in the early 1990s right after the collapse of the Soviet Union. Acting for the camera, the artist plays the role of an antiheroic figure contrasting with the strong and masculine stereotype previously connected with the regime, whose echo reverberates through he pure and sober black and white adopted for every imagers. Mikhailov, who always investigated the boundaries of photography and its connections with other disciplines, here combines it with the atmosphere and the grammar of theatre. The viewers attend a performance that is reminiscent of the tradition of the Theatre of the Absurd, with the protagonist alone, naked, and handling a sex toy in every possible way. Although his irrational behaviour might at first glance appear like an act of celebration and relief at the end of a a grim era, through repetition it soon turns into an allegory of fear for an uncertain future - it seems like a performance for itself and the camera. The photographic frame is the prison of the performer who, unlike the photographer, cannot look beyond the dark cloth behind him.\u003cbr\u003eBoris Mikhailov(B. 1938 in Charow, Ukraine) is one of the most important chroniclers of the everyday life of a (post-) Soviet society. Mikhailov studied electrical engineering at Charkov University of Technology and initially worked as an engineer, before starting to take photographs as a self-taught artist in the late 1960s. The early series of the 1960s and 70s often show personal pictures of friends, acquaintances or partners of the artist. The world in his pictures is always unadorned and rough - everyday scenes, poverty, sexuality, despair, resignation, decay of a forgetting Eastern Europe. Mikhailov is always dedicated to the outcasts of society. His works have been presented in numerous solo and group exhibitions worldwide, most recently in the Sprengel Museum, Hannover (2013), in the Berlinische Galerie, Berlin (2012), in the Museum of Modern Art, New York (2011), the Tate Modern, London (2010), the Kunsthalle Wien (2010) and the Ukrainian Pavilion at the Venice Biennale (2007). Boris Mikhailov lives and works in Kharkov and in Berlin.\u003c\/div\u003e","brand":"Boris Mikhailov","offers":[{"title":"Default Title","offer_id":19534629044294,"sku":"","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/master_cover_db3271a9-7107-4777-9d00-7a93f5542910.jpg?v=1544538129"},{"product_id":"i-know-how-furiously-your-heart-is-beating-special-edition","title":"I Know How Furiously Your Heart Is Beating - Special Edition","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePRINT B\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eLimited edition of 150 copies, divided into 2 sets of 150, each comprising a signed first edition of the book housed in a slipcase with \u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eone\u003c\/span\u003e\u003c\/strong\u003e of two c-type prints [signed and numbered 1\/150 - 150\/150].\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEmbossed linen hardback\u003cbr\u003e30 x 33.5cm\u003cbr\u003eInterview with Alec Soth by Hanya Yanagihara\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePublication date: March 2019\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eTaking its name from a line in Wallace Stevens’ short poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of intimacy. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. Whether made in Odessa or his hometown of Minneapolis, Soth’s new book is fundamentally about intimate encounters in private rooms.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e“After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large-scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped travelling and photographing people. I barely took any pictures at all.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eWhen I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life.\u003c\/div\u003e\n\u003cp\u003eIn order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” - Alec Soth\u003c\/p\u003e","brand":"Alec Soth","offers":[{"title":"Default Title","offer_id":19905636630598,"sku":"","price":780.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Bildschirmfoto_6643.jpg?v=1718645542"},{"product_id":"island-of-blest","title":"Island of Blest","description":"\u003cdiv\u003eFirst Edition\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp itemprop=\"name\"\u003eAshlyn Davis, Bryan Schutmaat\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIslands of the Blest is a book of historic photos by various photographers that were sourced from online public archives. These images were taken over a hundred year period (1870s – 1970s) and loosely tell the story of the exploration, settlement, and industrialization of the American West.\u003c\/div\u003e","brand":"Bryan Schutmaat","offers":[{"title":"Default Title","offer_id":19913985916998,"sku":"","price":128.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Bildschirmfoto4982.jpg?v=1784704755"},{"product_id":"the-whiteness-of-the-whale","title":"The Whiteness of the Whale - signed","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eCondition: The outer box has slight bumps. Book is in perfect condition!\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eSilkbound hardback book, embossed and with tipped in image, all housed in a red printed mailing box\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e240 pages\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e24 x 30.5 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e-\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003e\u003cem\u003eThe Whiteness of the Whale\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together Paul Graham’s three bodies of American photographs:\u003cspan\u003e \u003cem\u003eAmerican Night, a shimmer of possibility \u003c\/em\u003eand\u003cem\u003eThe Present, \u003c\/em\u003e\u003c\/span\u003emade from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eAmerican Night \u003c\/em\u003e\u003c\/span\u003e(2003) examines the social fracture of America – the great divide between have and have-not rendered through the dichotomy of light and darkness, presence and absence. The images oscillate between high-key near invisible photographs in bright light, and the antithesis – deeply saturated colour images of freshly minted homes glowing under California’s blue skies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003ea shimmer of possibility \u003c\/em\u003e\u003c\/span\u003e(2007), is an American epic of the small and incidental. Originally published as twelve photographic visions of everyday life, the stuttering sequences form a kind of 'filmic haiku', revealing the flow of life found in quotidian America, where we share moments with people waiting for a bus, cutting the grass, or smoking a cigarette. \u003cem\u003ea shimmer of possibility\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas winner of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.parisphoto.com\/paris\/news\/paris-photo-photobook-prize-winner-2011-paul-graham-a-shimmer-of-possibility-steidlmack-gottingen\" class=\"text-link\"\u003e\u003cem\u003e2011 Paris Photo Book Prize\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor the most significant Photobook of the past 15 years.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.mackbooks.co.uk\/books\/20-The-Present.html\" class=\"text-link\"\u003e\u003cem\u003eThe Present\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(2011) taken in the streets of New York, and unfolds two images of the same scene separated only by the briefest fraction of time. Here the present is revealed to be a fleeting and provisional alignment, glimpsed as part of an ever flowing continuum of life: before\/after, coming\/going, either\/or.\u003c\/p\u003e\n\u003cp\u003eThe luxurious catalogue is printed in wide gamut inks on natural white paper, and coincides with the first solo exhibition at Pier 24, San Francisco. It includes newly commissioned texts by David Chandler and Stanley Wolukau-Wanambwa.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Graham","offers":[{"title":"Default Title","offer_id":19914689544262,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Cover_graham.jpg?v=1547729186"},{"product_id":"color-photographs-signed","title":"COLOR PHOTOGRAPHS - signed","description":"\u003cdiv class=\"publisher\" style=\"text-align: center;\"\u003ePublisher: Harper's Books \/ Flying Books\u003c\/div\u003e\n\u003cdiv class=\"pages\" style=\"text-align: center;\"\u003ePictures: 83\u003c\/div\u003e\n\u003cdiv class=\"pages\" style=\"text-align: center;\"\u003eYear: 2015\u003c\/div\u003e\n\u003cdiv class=\"additional\" style=\"text-align: center;\"\u003e option of black\/silver or blue\/silver cover, first edition of 750 copies, 23,5 x 28 5 cm\u003c\/div\u003e\n\u003cdiv class=\"additional\" style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"additional\" style=\"text-align: center;\"\u003e\u003cspan\u003eIllustrated with 83 images of the artist's abstract color photography, a body of work distinct from the black and white images for which he is known. Through means of darkroom experimentation, Yokota layers sheets of unused large format color film and applies unorthodox developing methods before scanning the results. The mixing and manipulation of the film's chemicals produces vibrant and liquescent compositions that create forms reminiscent of fractal geometry and telescope images of the cosmos. Published in conjunction with Yokota's first solo show in the United States at Harper's Books, East Hampton, September 26 - December 1, 2015.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"additional\" style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"additional\" style=\"text-align: center;\"\u003e\u003c\/div\u003e","brand":"Daisuke Yokota","offers":[{"title":"Default Title","offer_id":19940917444678,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover_OK_71ab9933-d28d-401e-a943-d49a0c2d3a30.jpg?v=1547869285"},{"product_id":"ussr-1991","title":"USSR 1991 ( bumped copy )","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eThe book has a slight damage to the spine,\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e12.5\" x 11.5\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eReleased in a strictly limited edition of 450 copies. \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003enumbered,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e( 3 cover 150 copies each )\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003efirst edition\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eLittle Big Man\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEach hardbound copy is housed within a linen display case with three separate cover options. The book contains 122 full color plates, and is presented with multiple gatefold pages and vellum inserts.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEach case includes a Japanese bound booklet containing a critical essay in both English and Japanese.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003eIn the fall of 1990, Keizo Kitajima received a commission from Japan’s Asahi Shimbun newspaper to visit the Soviet Union, the opportunity to spend a year documenting both people and places in what was then a monolithic entity. 15 republics, 11 time zones, and thousands of miles spanning the two—the task was daunting in the very least. Having spent several years based in West Berlin, the Iron Curtain was a looming presence and Kitajima had often contemplated turning his lens towards the Soviet regime although the difficulties associated therein—censorship, freedom of access, and overwhelming bureaucracy—seemed insurmountable. And so it was, with a mix of anticipation and trepidation, that Kitajima entered the USSR in November 1990 to capture a moment in time where the winds of change roared at a howling pace.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003eThrough Glasnost and Perestroika, reforms ushered in by Mikhail Gorbachev, the media—both foreign and domestic— was granted far more access than ever before to Soviet society. In light of his major commission from an established media outlet, Kitajima found the perfect salve for his concerns about undertaking such a monumental endeavor. Having been granted unparalleled access to people and places usually off-limits to regular citizens,\u003cem\u003e \u003c\/em\u003e\u003cem\u003eUSSR 1991\u003c\/em\u003e can be regarded as the final photographic archive and overview of Soviet life. Throughout the process, Kitajima’s camera was omnivorous, digesting society as he saw it. KGB mandarins sit cheek by jowl with pop singers, artists alongside activists, peasants next to politicians. \u003c\/p\u003e\n\u003cdiv\u003eWhile much of the outside world’s opinion of the USSR at that point was of a mighty power constrained—images of dour citizens queuing for bread made nightly newscasts worldwide—Kitajima resolved to avoid conforming to both “Western Humanist” ideology (wherein the chaos and ugliness of the regime was represented in stark contrast to Western affluence) and also to falling prey to state propaganda depicting happy laborers, and stalwart soldiers. With these competing perspectives, Kitajima focussed on people and landscapes, or more often, people in their own landscape. \u003cbr\u003e\u003cbr\u003eWhile Kitajima’s is often known for its high contrast black and white photography,\u003cem\u003e \u003c\/em\u003e\u003cem\u003eUSSR 1991\u003c\/em\u003e differs greatly as it was photographed with the now defunct Kodacrome slide film, and offers a stunning, painterly account of his travels. Kitajima’s artfulness is ever present—this is not formulaic documentarian photography, or front line correspondence from a hard-boiled photojournalist. Here there are hard shadows from flash bulbs and a vivid technicolor applied to a part of the world that was often perceived as dark, grey and grim. While there are de-rigeur ruins of industry, giant colorless stacks whose purpose is never clear from afar, they sit in stark contrast to vivid blue skies. Peasants in multicolor prints gaze to the distance, religious activists swathe their faces in bright red scarfs. It’s not all grim here either: fashion models pose in bikinis, teenagers sunbathe, and actors mug for the camera. \u003cem\u003eUSSR 1991\u003c\/em\u003e can, in some ways, be seen as an antecedent to August Sander’s People of the 20th Century (Menschen des 20. Jahrhunderts). Here, Kitajima also captures a nation (or in this case, nations) and its people in a time of upheaval, all the while maintaining a level of open objectivity. With its images of protestors, dissidents, and obstructionists, hindsight reveals that \u003cem\u003eUSSR 1991\u003c\/em\u003e is an engrossing and encompassing portrait an empire unraveling at the seams. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e-\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e-\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kitajima Keizo","offers":[{"title":"Default Title","offer_id":19981057785926,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/keizo-1991.jpg?v=1548683049"},{"product_id":"trepat","title":"TREPAT artist edition","description":"\u003cdiv class=\"caps\" style=\"text-align: center;\"\u003eArtist edition, numbered from 001 to 350 and signed. Presented in a clamshell box, with an original Trepat Factory harvester blade mounted on the cover.\u003c\/div\u003e\n\u003cdiv class=\"caps\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv class=\"bomsecond\"\u003e\n\u003cdiv class=\"copys caps\" style=\"text-align: center;\"\u003e\n\u003cspan\u003eTREPAT by Joan Fontcuberta 2 Noninations Kassel Photobook Award 2014 –\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBest photobooks 2014. 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Van Manen says, ‘At first, working in Ireland I wasn’t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning in a place of myths and legends. There was mystery and endlessness at the edge of a land beyond which is nothing but a vast expanse.’\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003eWhere can it be found again,\u003cbr\u003eAn elsewhere world, beyond\u003cbr\u003eMaps and atlases,\u003cbr\u003eWhere all is woven into\u003cbr\u003eAnd of itself, like a nest\u003cbr\u003eOf crosshatched grass blades?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSeamus Heaney\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eVan Manen rolled into photography almost by accident, taking pictures of her children with an old camera. 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In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.\u003c\/div\u003e","brand":"Bertien Van Manen","offers":[{"title":"Default Title","offer_id":20482638544966,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/manen_cover.jpg?v=1551450159"},{"product_id":"berlin-special-edition-i","title":"Berlin Pictures - Special edition I","description":"\u003cp\u003eVolkspark Friedrichshain, 2014\u003cbr\u003eSilver gelatin print\u003cbr\u003eEdition of 33\u003cbr\u003eSigned and numbered\u003cbr\u003eImage size: 17 × 21.7 cm\u003cbr\u003eFrame not included\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eBerlin Pictures\u003c\/em\u003e book is included in this special edition.\u003c\/p\u003e\n\u003cp\u003ePublished in December 2020\u003cbr\u003eHardcover\u003cbr\u003e80 pages\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":20585931604038,"sku":"","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/2014-04-03-002.jpg?v=1607100741"},{"product_id":"copy-of-berlin-special-edition-ii","title":"Berlin Special edition II","description":"\u003cp\u003eTempelhofer Feld, June 2015\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eSilver gelatin print\u003cbr\u003eEdition of 33\u003cbr\u003eSigned and numbered\u003cbr\u003eImage size: 17 × 21.7 cm\u003cbr\u003eFrame not included\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eBerlin Pictures\u003c\/em\u003e book is included in this special edition.\u003c\/p\u003e\n\u003cp\u003ePublished in December 2020\u003cbr\u003eHardcover\u003cbr\u003e80 pages\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":20585946054726,"sku":"","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/2015-06-46-002_34f8e31a-2336-4f82-9155-78c0dcdb6904.jpg?v=1607100784"},{"product_id":"berlin-special-edition-iii","title":"Berlin Pictures Special edition III","description":"\u003cp\u003eTempelhofer Feld, June 2015\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eSilver gelatin print\u003cbr\u003eEdition of 33\u003cbr\u003eSigned and numbered\u003cbr\u003eImage size: 17 × 21.7 cm\u003cbr\u003eFrame not included\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eBerlin Pictures\u003c\/em\u003e book is included in this special edition.\u003c\/p\u003e\n\u003cp\u003ePublished in December 2020\u003cbr\u003eHardcover\u003cbr\u003e80 pages\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":20585949954118,"sku":"","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/2012-04-62-004_a28dd0e5-83b3-4add-9bca-210dc961d695.jpg?v=1607100764"},{"product_id":"jasper-special-edition","title":"Jasper - Special Edition","description":"\u003cdiv\u003eSpecial edition of 25 copies\u003c\/div\u003e\n\u003cdiv\u003e8x10 inch archival ink jet print included\u003cbr\u003eHandcrafted slipcase\u003c\/div\u003e\n\u003cdiv\u003e10.5 x 13 inches. 96 pages\u003cbr\u003e51 tritone plates on uncoated paper\u003c\/div\u003e\n\u003cdiv\u003eClothbound with photographic tip-in to the front cover\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCo-published between Trespasser and Twin Palms this special edition of Matthew Genitempo’s debut monograph, Jasper, includes an alternate book cover, a handcrafted slipcase by Rory Sparks and an signed 8x10” archival inkjet print.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eInspired by the life and work of the poet and land surveyor, Frank Stanford, these photographs of hermetic homes and men living in solitude were taken in the Ozark Mountains of Arkansas and Missouri. By capturing the foggy landscapes, cluttered interiors, and rugged men that are tucked away in the dark woods, Jasper explores a fascination with running away from the everyday. The work bounces between fact and fiction, exhibiting the reality and myth of what it means to be truly apart from society.\u003c\/div\u003e","brand":"Matthew Genitempo","offers":[{"title":"Default Title","offer_id":20639827034182,"sku":"","price":600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/1_ca2f005a-ba86-451f-bb8d-b590f3df197e.jpg?v=1784705409"},{"product_id":"abendlied","title":"Abendlied","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u0026gt;\u0026gt;Ships mid September 2019\u0026lt;\u0026lt;\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e112 Pages, 70 images\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e180x250x21mm, 680 grams\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEDITION: 500; First edition, first printing\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ePUBLICATION YEAR: 2019\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eBirthe Piontek (b. Germany) received her MFA from the University of Essen in Communication Design and Photography.\u003cbr\u003e \u003cbr\u003e Piontek’s art practice explores the relationship between memory and identity, with a special interest in the topic of female identity and its representation in our society. Her main focus is photography but she also utilizes other art forms like installation, assemblage and collage to investigate to what degree our complex identities can be visualized.\u003cbr\u003e \u003cbr\u003e Her work has been exhibited internationally, in both solo and group shows, and is featured in many private and public collections such as the Museum of Contemporary Photography in Chicago and the Museum of Applied Arts in Gera, Germany.\u003cbr\u003e \u003cbr\u003e Birthe's project \u003ci\u003eThe Idea of North\u003c\/i\u003e won the Critical Mass Book Award 2009, and was published as a monograph in 2011. 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Studies finished, first teaching assignment, pregnant - responsibilities, duties, worries - and the need to look for meaning in everyday life. After a childhood in the sense of an imminent nuclear catastrophe, in an America where lifestyle magazines and television give directions how the BRAVE NEW WORLD should look and function.\u003cbr\u003e\u003cbr\u003eMary Frey has made strange pictures. Technically perfect, between snapshot and enactment, intimacy and distance. Charged banalities with children, adolescents and adults, middle class, USA, 35 years ago. No reportage, a psychogram. Stockphotos that no magazine would have printed, no agency would have used for a campaign. Weird.\u003cbr\u003e\u003cbr\u003eIn the end, Raymond Carver asks:\u003cbr\u003eWould I live my life over again?\u003cbr\u003eMake the same unforgiveable mistakes?\u003cbr\u003eAnd as Raymond Carver in words Mary Frey answers with her pictures:\u003cbr\u003eYES.\u003c\/div\u003e","brand":"Mary Frey","offers":[{"title":"Default Title","offer_id":31099848884298,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/MaryFrey_17s_1024x1024_f790dc93-57df-496e-b9d4-34834374d2ce.jpg?v=1784706995"},{"product_id":"copy-of-city-of-darkness-revisited-signed","title":"City Of Darkness Revisited - Print Set","description":"\u003cheader\u003e\n\u003cdiv\u003eLimited edition eight 8x10\" prints, signed and numbered.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv id=\"product_info\"\u003e\n\u003csection id=\"product_description\"\u003e\n\u003cp\u003eEight 8 x 10 inch archival pigment prints of the Kowloon Walled City by Greg Girard, packaged in a heavyweight card box, in a limited edition of 50 sets, numbered and signed\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Greg Girard","offers":[{"title":"Default Title","offer_id":31099880341578,"sku":"","price":680.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/2FireflyUpscaler2xscale.webp?v=1784706000"},{"product_id":"copy-of-city-of-darkness-revisited-print-set","title":"Under Vancouver - special edition","description":"\u003cdiv\u003e\n\u003cp\u003eUnder Vancouver 1972-1982 Special Edition Box Set: Signed Book and Five Limited Edition Prints\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSigned copy of \"Under Vancouver 1972-1982\" in a hardened box with five limited edition 8x10 inch prints from the \"Lost Negatives\" series. 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But the fact he was not in custody possibly suggests that the misdemeanour was not serious, although the psychological weight of the book perhaps points to the opposite.\u003cbr\u003eText by Gerry Badger from his review for 1000Words\u003c\/p\u003e","brand":"Bryan Schutmaat","offers":[{"title":"Default Title","offer_id":31736229953610,"sku":"","price":275.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/01_5cf6453d-5d70-4af0-93b6-9b2c397cc034.jpg?v=1784704725"},{"product_id":"blackwater-river-artist-edition","title":"Blackwater River - Artist Edition","description":"\u003cdiv class=\"product-description product-description-full rte visible\" itemprop=\"description\"\u003e\n\u003cp style=\"text-align: center;\"\u003eEach copy of the Artist Edition of Robbie Lawrence's Blackwater River includes a copy of the sold out book as well as a sign 10x8 print, beautifully produced on heavy Hahnemuehle paper by Spectrum Printers. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePrint - 190x254mm\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEdition - 25\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e-\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eOn a map of the south-eastern U.S., the 245-mile Ogeechee River cuts a diagonal path across Eastern Georgia before curling south of the city of Savannah and emptying into the Atlantic Ocean. It is known locally as Blackwater River for its slow moving waters that are like black glass, reflecting the sky and flora overhead and masking the tangle of life forces beneath.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eIn November 2017, Robbie Lawrence, accompanied by writer Sala Patterson, travelled to the Low Country, the coastal region straddling Georgia and South Carolina near where the Ogeechee River meets the ocean with the aim of documenting the nuances of issues driving news cycles and political divisions through the lens of one place in America.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eBlackwater River captures, in image and spirit, Lawrences time in the Low Country – a series of profound encounters and abstract reflections, some inspiring, others harsh but all indelible. Each moment is individually significant while collectively hinting at larger, more elusive truths.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan\u003ePublished — 1st October 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — \u003c\/span\u003e\u003cspan\u003e978-1-913288-10-3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 104 (98 coated 8 uncoated) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages — 91 (Duotone + PMS)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hardback, Foil Stamped \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 308 X 245mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003ePress: \u003ca href=\"https:\/\/www.ft.com\/content\/58455f64-e924-11e9-a240-3b065ef5fc55\"\u003eFT\u003c\/a\u003e, \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/robbie-lawrence-blackwater-river-bb\/\"\u003eThe Eye of Photography\u003c\/a\u003e, \u003ca href=\"https:\/\/www.google.co.uk\/amp\/s\/www.thestrandmagazine.com\/single-post\/2019\/10\/15\/Blackwater-River-Robbie-Lawrence-Review---Webber-Gallery%3f_amp_\"\u003eThe Strand\u003c\/a\u003e, \u003ca href=\"https:\/\/paper-journal.com\/robbie-lawrence-blackwater-river\/\"\u003ePaper Magazine\u003c\/a\u003e, \u003ca href=\"https:\/\/www.sleek-mag.com\/article\/robbie-lawrence\/\"\u003eSleek\u003c\/a\u003e, \u003ca href=\"https:\/\/www.bjp-online.com\/2019\/11\/issue-7890\/\"\u003eBritish Journal of Photography,\u003c\/a\u003e \u003ca href=\"https:\/\/www.fisheyemagazine.fr\/rdv\/livre\/blackwater-river-terres-nuancees\/\"\u003eFisheye\u003c\/a\u003e \u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e-\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eArtist Edition, including a signed print\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Robbie Lawrence","offers":[{"title":"Default Title","offer_id":31745857028170,"sku":"","price":690.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/fc_2048x2048_cover.jpg?v=1581438320"},{"product_id":"family-car-trouble","title":"Family Car Trouble","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003eTBW Books, 2019\u003cstrong\u003e (1st edition)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eHardcover, 15 x 23 cm\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e128 pages, 74 color photographs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish text\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003efirst edition, new copy in stock \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e\"Family. Car. Trouble. Three nouns. When doesn't trouble follow both family and car? \u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003eA tender series of pictures: I fell in love with everybody. Especially the car.\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e- Sally Mann\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e-\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003e\u003cspan\u003eWith\u003cem\u003e Family Car Trouble\u003c\/em\u003e, Gus Powell plays with the form of the novel, both as material object and as narrative vehicle for expressing interior life. The work records and reckons with the arrival of children, the departure of a father, and the maintenance of a difficult 1992 Volvo 940 station wagon.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA new classic of the Automotive Bereavement Parenting genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eGus Powell was born in New York City in 1974. His previous books include The Lonely Ones (J\u0026amp;L Books, 2015) and The Company of Strangers (J\u0026amp;L Books, 2003)\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gus Powell","offers":[{"title":"Default Title","offer_id":31746117861450,"sku":"","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/TBW-Books-Family-Car-Trouble-Gus-Powell-Cover-Front-Mock-05_2048x2048_1de56b93-93af-4320-951e-2e0f69ec1f0c.jpg?v=1581286466"},{"product_id":"zanjir","title":"Zanjir","description":"\u003cli\u003e\n\u003cdiv style=\"text-align: center;\"\u003eRRB Photobooks \/ IC Visual Lab\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003eNovember 2019\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003eSoftcover, 152 pages\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e23.4 x 15.6 cm\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003eDesign by Alejandro Acin\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEdited by Alejandro Acin, Amak Mahmoodian \u0026amp; Aaron Schuman\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e-\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\"\u003e\n\u003ci\u003e\u003cstrong\u003eZanjir\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a conversation imagined between the artist Amak Mahmoodian (1980-present) and the Persian princess and memoirist Taj Saltaneh (1883 - 1936). In Zanjir, Amak Mahmoodian draws on imagery from King name's collection from the 19th Century held at Golestan archives in Tehran and photographs she took in Iran to explore feelings of loss and separation from family and homeland. Through memories and dreams, Zanjir mythifies absence and presence. The present which continuously exists in past, and the past which continuously exists in present.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eAmak Mahmoodian is an artist born in Shiraz and lives in Bristol, UK. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eIn 2015, she completed a practice based doctorate in photography at the University of South Wales, having previously studied at the Art University of Tehran. The artist’s work questions Western notions of identity, expressing personal stories that pertain to wider social issues which draws on her experiences in the Middle East, Asia and the West. Her previous project, Shenasnameh, has been widely exhibited internationally and the accompanying artist photobook won many awards and critical acclaim in publications as diverse as Time magazine, Lensculture and Foam magazine. In addition to her own artistic practice, Mahmoodian is a curator and through the Ffotogallery touring exhibition Bi nam – Image and Identity in Iran she provided first European exposure for emergent Iranian artists and photographers, presenting work previously unseen outside Iran.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e","brand":"Amak Mahmoodian","offers":[{"title":"Default Title","offer_id":31757374357578,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/photoq-bookshop-RRB-zanjir-amak-mahmoodian-cover-e1575060772103.jpg?v=1581691325"},{"product_id":"one-picture-book-two-16-cats-signed","title":"One Picture Book Two #16: Cats - Signed copy","description":"\u003cdiv\u003eHardcover 15 x 21cm,\u003c\/div\u003e\n\u003cdiv\u003e16 pages, 14 duotone plates,\u003c\/div\u003e\n\u003cdiv\u003e1 original signed photograph.\u003c\/div\u003e\n\u003cdiv\u003eNazraeli 2020\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCats is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eMark Steinmetz’s first book of cat photographs, Ancient Tigers of My Neighborhood, was published in a limited edition as part of our Six by Six series, and was nominated by Robert Adams as a “Best Book of 2010” at the Kassel Photobook Festival in Germany. For his first contribution to our new One Picture Book Two series, Steinmetz again has chosen cats as the subject and we are pleased to make this aspect of the artist’s work available to a wider audience.\u003c\/p\u003e\n\u003cp\u003eBeautifully printed on Matt art paper, Cats features fourteen never before published photographs of cats and kittens making themselves at home in Athens, Georgia.\u003c\/p\u003e\n\u003cp\u003eMark Steinmetz is a Guggenheim Fellow, and his work is included in the permanent collections of many important institutions, including Museum of Modern Art, New York; Metropolitan Museum of Art, New York; The Whitney Museum of American Art, New York; Art Institute of Chicago; and the Los Angeles County Museum of Art. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLimited quantity available at this price.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":31870337187914,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Steinmetz_0_Cvrcopy.jpg?v=1784708454"},{"product_id":"diary-1","title":"Diary","description":"\u003cli\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan class=\"tws-article-attribute-title\"\u003e\u003cspan class=\"tws-article-attribute-value\"\u003eFirst edition \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cspan class=\"tws-article-attribute-title\"\u003e\u003cspan class=\"tws-article-attribute-value\"\u003eHard cover with cloth\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cspan class=\"tws-article-attribute-title\"\u003e\u003cspan class=\"tws-article-attribute-value\"\u003e204 Pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cspan class=\"tws-article-attribute-title\"\u003e\u003cspan class=\"tws-article-attribute-value\"\u003e245x186mm\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan class=\"tws-article-attribute-title\"\u003e\u003cspan class=\"tws-article-attribute-value\"\u003eSwedish \/ English\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan class=\"tws-article-attribute-title\"\u003eText: \u003c\/span\u003e\u003cspan class=\"tws-article-attribute-value\"\u003eJohanna Ekström, Jäger Arén\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cbr\u003e","brand":"Gunnar Smoliansky","offers":[{"title":"Default Title","offer_id":32034410201162,"sku":"","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/154749592-origpic-6708b6.jpg?v=1588857851"},{"product_id":"notes-on-fundamental-joy-seeking-the-elimination-of-oppression-through-the-social-and-political-transformation-of-the-patriarchy-that-otherwise-threatens-to-bury-us","title":"Notes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eFirst edition, 2019 1000 copies\u003c\/p\u003e\n\u003cp\u003ePublisher: Printed Matter, Inc. Design: Jena Myung Printing: die Keure, Belgium Text: Carmen Winant Contributed Essay: Ariel Goldberg\u003c\/p\u003e\n\u003cp\u003ePaper: Constellation Snow Martellata 400gsm Igeba IBO One 60gsm Inapa Bavaria Matt 80gsm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ecopy in good condition,s\u003c\/p\u003e\n\u003cp\u003esome minor shelf wear and minor signs of age on the cover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003eNotes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us\u003c\/em\u003e is an experimental work that sits at the cross section of an artists’ project and historical document, drawing from archival images borne out of the Ovulars, a series of darkroom\/photography workshops held in various feminist \u0026amp; lesbian separatist communes of the early 80s across the Pacific Northwest.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003eNotes on Fundamental Joy\u003c\/em\u003e holds up the work of JEB, Clytia Fuller, Tee Corinne, Ruth Mountaingrove, Katie Niles, Carol Osmer, Honey Lee Cottrell, and others, documenting a community of women\/womyn in their collective embrace of the ‘back to the land’ movement. Through the lens of pervasive image-making—women holding cameras, women taking pictures of women—the project considers the radical potential of social and political optimism predicated on the absence of men.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe photographs are accompanied by a running essay from Winant, stretched across the bottom of each page as if a low horizon line, considering the images’ collective power in picturing intimacy and pleasure. The self-reflexive text contends with the pull Winant feels towards these works—for their unabashedness and beauty—and considers how the images may have life and meaning outside of the subculture that produced them.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe book includes a personal essay by writer and artist Ariel Goldberg realized in two parts, understanding the photographs and wider cultural moment through a broader gender lexicon and in the context of trans-exclusionism.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eNotes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us is printed on Igeba IBO One 60gsm, a lightweight semi-transparent paper which allows for the show-through of images between page, creating an exchange and dialog between partially visible photographs.\u003c\/div\u003e","brand":"Carmen Winant","offers":[{"title":"Default Title","offer_id":32048486547530,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover_56c141b4-f7f4-4c50-acaf-4c69eb990362.jpg?v=1588936749"},{"product_id":"watertanks-mathare-nairobi","title":"Watertanks Mathare Nairobi","description":"\u003cdiv style=\"text-align: center;\"\u003e64 p, ills colour, 17 x 20 cm, hard board,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEnglish\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eIn 2011 Filippo Romano began photographing Nairobi’s Mathare slums, home to roughly half a million people. His fascination with the adaptation shown by its communities ranges from the nightlife and colourfully decorated motorbikes to water tanks as DIY infrastructure and trash pickers in Dandora, Nairobi's main dumping site.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eBeginning where his first series on water tanks left off, this second instalment covers five additional years of photographs of these large plastic reservoirs, which are frequently mounted atop concrete structures or metal frameworks for distribution. Romano’s project was part of the exhibition ‘Made in Slums – Mathare Nairobi’ at the Triennale Museum in Milan in 2013. \u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Filippo Romano","offers":[{"title":"Default Title","offer_id":32048549003338,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Watertanks_cover.jpg?v=1588938436"},{"product_id":"dein-kampf","title":"Dein Kampf","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003eHardback with silkscreen printed cover\u003cbr\u003e\u003c\/span\u003eIncludes text by Ulrich Baer\u003cbr\u003e28 x 21.5 cm\u003cstrong\u003e\u003cbr\u003eSeptember 2019\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMACK\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e-\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eStriking\"\u003c\/strong\u003e – Camera Austria\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\"\u003cspan class=\"\"\u003eRather than painting a linear narrative of the city, its people or cultures, Feuerhelm cropped, collated and reorganized these often blurry, grainy black and white photographs into \u003c\/span\u003e\u003cem class=\"\"\u003eDein Kampf\u003c\/em\u003e,\u003cspan class=\"\"\u003e his disorienting 2019 photobook […] that emphasizes the equally disorienting, blurry and anxious ways we navigate history and political ideology.\" \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"\"\u003e– Humble Arts Foundation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"The images capture a pervading grittiness that endures\"\u003c\/strong\u003e – Another Man\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eFrom its title to its formal arrangement of language, Brad Feuerhelm’s\u003ci\u003e Dein Kampf \u003c\/i\u003esuggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. \u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\"\u003eFragments of the past and symbols of capitalist modernity underpin the work–banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm’s work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. \u003ci\u003eDein Kampf\u003c\/i\u003e is Feuerhelm’s proposition about how we activate image and ideology in the book form.\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e","brand":"Brad Feuerhelm","offers":[{"title":"Default Title","offer_id":32048648224842,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover273_2048x2048_309e9a27-e064-412f-80ff-3ebd553716bc.jpg?v=1588940855"},{"product_id":"family","title":"Family","description":"\u003cdiv style=\"text-align: center;\"\u003eHardback bound in black buckram, embossed in red foil\u003cbr\u003e\u003cspan\u003e31 x 23 cm, \u003c\/span\u003e80 pages\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeptember 2019\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eMACK\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e-\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e\"Fukase explore sa nostalgie, mais aussi son présent...Celle-ci vire parfois à l’incongru, au comique et surtout à l’étonnement\". \/ \"Fukase explores his nostalgia but also his present...this turns sometimes toward incongruity, comedy, and above all surprise\"\u003c\/strong\u003e – Vanity Fair France\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e\"An amusing parody of the traditional family portrait that is both theatrical and personal\"\u003c\/strong\u003e – Creative Review\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eThis collection [...] turns the idea of the family portrait on its head, simultaneously reinvigorating and ridiculing it.\"\u003c\/strong\u003e – Japan Times\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ci\u003e\"\u003c\/i\u003eMy entire family, whose image I see inverted in the frosted glass, will die one day. This camera, which reflects and freezes their images, is actually a device for archiving death\u003ci\u003e\"\u003c\/i\u003e. – Masahisa Fukase\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e For three generations the Fukase family ran a photography studio in Bifuka, a small provincial town in the northern Japanese province of Hokkaido. In August 1971, at the age of 35, Masahisa Fukase returned home from Tokyo, where he had moved in the 1950s. He realised that the Fukase Photographic Studio, which his younger brother managed, combined with the growing family members, constituted the perfect subject for a series of portraits. Between 1971 and 1989, he returned regularly and used the family studio, the large-format Anthony view camera and the changing family line-up as the basis for the series. True to his style, Fukase often introduced third-party models and humorous elements to juxtapose the ineluctable reality of time passing and the dwindling family group. He continued the series through his father’s death in 1987, up until the closure of the Fukase studio due to bankruptcy in 1989, and the consequential dispersion of the family.\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\"\u003e\n\u003ci\u003eFamily (Kazoku) \u003c\/i\u003ewas released in 1991, and was Fukase’s last book. It begins with a photograph of the family studio and the following 31 images are family portraits made in the studio in chronological order. The book includes an extensive text written by Fukase himself and a modern essay by Tomo Kosuga.\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Masahisa Fukase","offers":[{"title":"Default Title","offer_id":32048679977034,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover252_2048x2048_6603b8f9-ff4a-421e-97fc-88eab5e748e5.jpg?v=1588941831"},{"product_id":"100-bilder-signed-copy","title":"100 Bilder - signed copy","description":"\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e100 illustrations \/ 24 x 30 cm \/ 112pp \/ Regular Edition of 200 copies \/ Softcover \/ \u003ca href=\"https:\/\/www.kominekominekominek.shop\/search?q=yokota\"\u003eYOKOTA\u003c\/a\u003e-TAKIZAWA-KAMETANI \/ Kominek Books residency \/\u003c\/div\u003e\n\u003cdiv class=\"product-subtitle\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv id=\"beschreibung\"\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eHallucinatory flashes of the Berlin underworld permeate through the pages of this collective work by Japanese artists Daisuke Yokota,Yoshi Kametani and Hiroshi Takizawa. A collaboration of night work in a city that never sleeps; the photographers pass like ghosts through all manner of places; forests, strip clubs, industrial estates, parking lots and darkened streets. Utilising a variety of different techniques they present a fresh perspective of the metropolis.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003eAll photos taken in Berlin during the Kominek Books residency program 2016.\u003c\/p\u003e\n\u003cp class=\"bodytext\" style=\"text-align: center;\"\u003e\u003cb\u003eDaisuke Yokota,Yoshi Kametani and Hiroshi Takizawa\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Yokota, Takizawa, Kametani","offers":[{"title":"Default Title","offer_id":32049024532554,"sku":"","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/170822_2718_cover_1f194edf-8184-490a-8be5-d3f153f6806d.jpg?v=1588950357"},{"product_id":"rie","title":"RIE","description":"\u003cdiv\u003eOffset printed linen-bound hardcover, 78 pages. 21 x 29 cm\u003cbr\u003eLimited first edition of 750 copies, numbered\u003c\/div\u003e\n\u003cdiv\u003eKominek Books\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“...Within the series of Rie, I wanted to embark on an inherently female dialogue on the subject of revealing. Japan is uniquely ambigious in this respect which encouraged me to explore these thoughts through the communication with and portrayal of Japanese women. As the subjects in the images repeatedly pose, rest and move – at times playfully – while being in different states of undress, we become witness to a delicately complex elaboration in character. While some moments give way to a sense of vulnerability with the subject absorbed in her own intent, not consciously regarding the viewer, others show her clearly aware of the onlooker’s gaze. I was interested in understanding, at what point, when we reveal our bodies, as women to a potential other, does the apparent vulnerability cross over into the understanding and appreciation of the powerful notion of being naked and being oneself without an inner or outer surveyor present, without being on display…” — Lena C. Emery.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.kominekominekominek.shop\/collections\/frontpage\/products\/rie-special-edition\"\u003eSpecial Edition available here:\u003c\/a\u003e\u003c\/div\u003e","brand":"Lena C. Emery","offers":[{"title":"Default Title","offer_id":32051914014794,"sku":"","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Rie-Monograph-cover.jpg?v=1784816576"},{"product_id":"rie-special-edition","title":"RIE - Special Edition","description":"\u003cdiv\u003eSigned \u0026amp; Dated Limited Edition\u003c\/div\u003e\n\u003cdiv\u003eIncludes a limited edition C-Type print\u003cbr\u003eLinen slipcase\u003cbr\u003eEdition of 35 \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eChoice of 1 of 4 motifs\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e“...Within the series of Rie, I wanted to embark on an inherently female dialogue on the subject of revealing. Japan is uniquely ambigious in this respect which encouraged me to explore these thoughts through the communication with and portrayal of Japanese women. As the subjects in the images repeatedly pose, rest and move – at times playfully – while being in different states of undress, we become witness to a delicately complex elaboration in character. While some moments give way to a sense of vulnerability with the subject absorbed in her own intent, not consciously regarding the viewer, others show her clearly aware of the onlooker’s gaze. I was interested in understanding, at what point, when we reveal our bodies, as women to a potential other, does the apparent vulnerability cross over into the understanding and appreciation of the powerful notion of being naked and being oneself without an inner or outer surveyor present, without being on display…” — Lena C. Emery.\u003c\/div\u003e","brand":"Lena C. Emery","offers":[{"title":"Print 1","offer_id":32052073758794,"sku":"","price":450.0,"currency_code":"EUR","in_stock":false},{"title":"Print 2","offer_id":32052073791562,"sku":"","price":450.0,"currency_code":"EUR","in_stock":true},{"title":"Print 3","offer_id":32052074709066,"sku":"","price":450.0,"currency_code":"EUR","in_stock":true},{"title":"Print 4","offer_id":32052077461578,"sku":"","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/rie_special.jpg?v=1784816466"},{"product_id":"high-fashion-signed","title":"High Fashion","description":"\u003cdiv class=\"details\" style=\"text-align: center;\"\u003e313 x 234 x 12 mm\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003e120 pages, 86 images\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003eSoftcover\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003eEnglish, Japanese\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003eLimited Edition 500\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003eSecond Edition\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003e-\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"details\" style=\"text-align: center;\"\u003e\n\u003cp\u003e“HIGH FASHION” is a series of work taken by Pawel Jaszczuk between 2008 and 2010 of drunk salarymen sleeping in the streets of Tokyo.\u003c\/p\u003e\n\u003cp\u003ePawel, residing in Japan at the time, would head out on his bicycle after midnight to photograph different people and places, saying that the best hours for him to shoot would be between 1 am and 4 am. Shortly after he started this body of work in 2009, he published a zine entitled “salaryman” with Morel Books in black and white and limited to 150 copies and which immediately sold out. This time, Pawel has selected images of sleeping salarymen in poses reminiscent of fashion models and the photobook is in the style of a glossy magazine, hence the title “High Fashion”.\u003c\/p\u003e\n\u003cp\u003eAccording to Pawel, this body of work is emphatically not a statement against drinking. Rather, he originally wanted to capture the simple contrast between men in nice suits and dirty streets, but his view of the work has evolved in recent years. This time Pawel hopes that the publication of “High Fashion” with Zen Foto Gallery will act as a humorous, apocalyptic vision of this overworked and overstressed society.\u003c\/p\u003e\n\u003cp\u003eSpecial Edition \u003ca href=\"https:\/\/www.kominekominekominek.shop\/collections\/frontpage\/products\/high-fashion-special-edition-1\"\u003eavailable here:\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pawel Jaszczuk","offers":[{"title":"Default Title","offer_id":32072374845514,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/XL0bn58ke_rTT7xW.jpg?v=1589372005"},{"product_id":"copy-of-film-signed-copy","title":"160 sheets - Signed copy","description":"\u003cp\u003eSelf published\u003cbr\u003e160 pages\u003cbr\u003eYear: 2020\u003cbr\u003eStapled softcover, 297 x 215 mm\u003c\/p\u003e","brand":"Daisuke Yokota","offers":[{"title":"Default Title","offer_id":32345350504522,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover160sheets.jpg?v=1595081470"},{"product_id":"copy-of-160-sheets-signed-copy","title":"Room\/Rabbit - Signed copy","description":"\u003cp\u003eSelf published\u003cbr\u003e140 pages\u003cbr\u003eYear: 2020\u003cbr\u003eStapled softcover, 282 x 200 mm\u003c\/p\u003e","brand":"Daisuke Yokota","offers":[{"title":"Default Title","offer_id":32345351028810,"sku":"","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/coverroomrabbit.jpg?v=1595081676"},{"product_id":"a-possible-life-conversations-with-gualbert","title":"A Possible Life. Conversations with Gualbert","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"book-publishing\" style=\"text-align: center;\"\u003e\n\u003cp\u003eEdited by Ben Krewinkel\u003c\/p\u003e\n\u003cp\u003eText by Ben Krewinkel\u003c\/p\u003e\n\u003cp\u003eDesign by Annette Kouwenhoven\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSelf published, 2012\u003c\/p\u003e\n\u003cp\u003eEdition of 500 numbered copies\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book-notes\"\u003e\n\u003cp style=\"text-align: center;\"\u003eSoftcover with dust jacket and obi\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e80 pp. (40 + 40 hidden), illustrated throughout\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e210 x 298 mm\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: center;\"\u003eA documented account of an undocumented resident of The Netherlands. Compiling an assortment of legal documents, postcards, transcripts of interviews, family photographs, and contemporary photographs taken by the photographer, the work gives a sense of the life of an illegal alien, as well as a sort of biography, though the documentation and photographs are anonymised. Bound in an A4 packet of papers which are sealed and must be opened, the medium promotes the feeling of both an official document, as well as a secret which must be kept, and to which we've been made privy. The work contains a 'complete' life and history of an alien, and yet, he is unknowable. In transcripts, he speaks of his life back in Niger, as well as his conflicting desires to return home and to be successful in The Netherlands. It's an insightful collaboration into a lifestyle rarely seen outside of shadows.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePublished on the occasion of the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Possible Life. Conversations with Gualbert\u003c\/em\u003eat the CBK Zuidoost Amsterdam 19 January - 7 April 2012. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ben Krewinkel","offers":[{"title":"Default Title","offer_id":32356061478986,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/1246.jpg?v=1595500630"},{"product_id":"die-son-sien-alles","title":"DIE SON SIEN ALLES - signed copy","description":"\u003cdiv\u003eVery good copy, see picture\u003c\/div\u003e\n\u003cdiv\u003e23,5 cm x 30 cm.\u003c\/div\u003e\n\u003cdiv\u003e40 pages.\u003c\/div\u003e\n\u003cdiv\u003e18 color plates.\u003c\/div\u003e\n\u003cdiv\u003eOffset printed cloth bound hardcover.\u003c\/div\u003e\n\u003cdiv\u003eLinen thread bound. Cover text in black foil.\u003c\/div\u003e\n\u003cdiv\u003eFirst edition of 400 copies\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDuring several visits to the townships of Cape Town between 2002 and 2004 Viviane Sassen (b. 1972, Dutch) took a closer look at the interior decoration of people’s homes, shop and bars — Shebeens. Viviane Sassen is known for her incisive depictions of contemporary African culture.\u003c\/div\u003e","brand":"Viviane Sassen","offers":[{"title":"Default Title","offer_id":32356549558346,"sku":"","price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/LM-Viviane-Sassen-Die-Son-Sien-Alles-01.jpg?v=1784657234"},{"product_id":"parasomnia","title":"Parasomnia - Signed copy","description":"\u003cdiv\u003eVery good copy\u003c\/div\u003e\n\u003cdiv\u003eCover foil has marks all over, happens with most of the copies, due to the matt material used on cover, see pictures.\u003cbr\u003eParasomnia, 2011\u003cbr\u003eHardcover, 104 pages\u003c\/div\u003e\n\u003cdiv\u003eFirst Edition\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e'In medical terminology, 'parasomnia' denotes various sleep dysfunctions, such as somnambulism. Viviane Sassen's photographs evoke the sense of displacement and ambiguity often experienced in the state between waking and sleep. In her carefully staged scenes nothing is what is seems: references and conventions are subverted by means of shadows and materials.\u003cbr\u003e\u003cbr\u003eThe series comprises photographs taken in West and East Africa over the past two years, as well as a few taken in Europe.\u003cbr\u003e\u003cbr\u003ePrefaced by a short story written by Moses Isegawa, the pages of the book lead the eye through a series of illusions on the verge of realism. Parasomnia follows Sassen's highly acclaimed monograph Flamboya (2008), and is equally innovatively designed'.\u003c\/div\u003e","brand":"Viviane Sassen","offers":[{"title":"Default Title","offer_id":32358345605194,"sku":"","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/boeken_vs_site_0229.0x1500-1.jpg?v=1784657302"},{"product_id":"hot-mirror","title":"Hot Mirror","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eHot Mirror\u003c\/em\u003e\u003cspan\u003e, 2018\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eFirst Edition\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSigned\u003cbr\u003ePRESTEL\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, Paperback with Jacket, 24x33cm, 95 color illustrations, 9 b\/w illustrations, 160 pages\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e-\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eThis mid-career retrospective volume focuses on Viviane Sassen’s fine art photography, revealing a surrealist undercurrent in her work. Sassen recognizes Surrealism as one of her earliest artistic influences, seen in the uncanny shadows, fragmented bodies, and otherworldly landscapes she captures in her work.\u003cbr\u003e\u003cbr\u003eIn addition to images from the acclaimed series \"Umbra\", this volume draws from the series \"Flamboya\", in which she returned to Kenya, \"Parasomnia\", a dreamlike exploration of sleep, the \"Roxane\" series, a mutual portrait created with her muse, Roxane Danset, \"Of Mud and Lotus\", a study of procreation and fecundity, and \"Pikin Slee\", a journey to a remote village in Suriname.\u003cbr\u003e\u003cbr\u003eThroughout, Sassen emerges as a poetic photographer obsessed with light and shadow and a brilliant technician, who is a master of both vibrant color and muted hues. Selected by Sassen herself from across the last ten years, the images draw on the surrealist strategies of collage and unexpected juxtapositions to give a survey of her practice.\u003cbr\u003e\u003cbr\u003eThis book features a contextualizing essay and an insightful interview with the artist.\u003c\/span\u003e\u003c\/div\u003e","brand":"Viviane Sassen","offers":[{"title":"Default Title","offer_id":32358452396106,"sku":"","price":88.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/01_sfg.0x1500.jpg?v=1597956063"},{"product_id":"behelfsheim-signed-copy","title":"Behelfsheim - signed copy","description":"\u003cdiv style=\"text-align: center;\"\u003eFoil embossed linen flexback, clothbound,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e21 x 25,5 cm, 148 pages,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e2 foldouts,51 colour images, 53 archival illustrations,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eTexts by Holger Fröhlich, Julia Lauter \u0026amp; Jan Engelke (English\/German)\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem data-start=\"237\" data-end=\"253\"\u003eSecond Edition\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cbr data-start=\"253\" data-end=\"256\"\u003eEdition of 350 copies\u003cbr data-start=\"277\" data-end=\"280\"\u003eNew edition with updated covers\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e-\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eDuring and shortly after the end of the Second World War, thousands of so\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ecalled “Behelfsheime” (makeshift shelters) were built in and around the\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003edestroyed cities of Germany. 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