{"title":"LOOSE JOINTS","description":"\u003cspan data-mce-fragment=\"1\"\u003eLoose Joints is an award-winning independent publishing house based between Marseille and London, founded by Sarah Piegay Espenon and Lewis Chaplin in 2014.\u003c\/span\u003e","products":[{"product_id":"ghost-witness-signed","title":"Ghost Witness","description":"\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eships end November\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e176 pages, 190 tritone plates, 23 x 33 cm\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eSoftcover\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eNovember 2020\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eLoose Joints\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eChina has a rich tradition of ghost stories and supernatural beliefs. There are tales of ghosts that can shape-shift, or turn into air, or pure darkness or light. In \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e, Mårten Lange tells the story of a country rushing towards the future with the past following silently behind, like a spectre in the smog.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eIn his time in China, Lange visited urban metropolises that have \u003c\/span\u003eexpanded rapidly in recent years\u003cspan\u003e, as a result of hyper-accelerated growth and development. Walking through these megacities, Lange explores the bleeding edge between rationalised urban planning and messy everyday lives. \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e engages with the unique quality of light in \u003c\/span\u003ethe urban environment\u003cspan\u003e, where the sun filters through the polluted air and the vast arrays of LEDs twinkle in the rain – revealing the world indirectly, like a mirror.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eThe images in \u003c\/span\u003e\u003cem\u003eGhost Witness\u003c\/em\u003e\u003cspan\u003e inhabit and replicate the machine-like rational logic of the grid to interrogate overlaps and fissures between architecture, technology, surveillance and the future. Lange’s precise photographs often describe those fissures: indecipherable codes, broken windows, decay and entropy within the order of \u003c\/span\u003eglass and steel\u003cspan\u003e. Suspended in a liminal state between constant construction and expansion, Lange questions what it means for humanity to dwell inside environments that are planned, designed and repeated, \u003c\/span\u003ewith little recourse\u003cspan\u003e for history, transition and change.\u003c\/span\u003e \u003c\/p\u003e","brand":"Mårten Lange","offers":[{"title":"Default Title","offer_id":32572805218378,"sku":"","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Marten-shots_1080x1080COVER.jpg?v=1604614987"},{"product_id":"copy-of-photographs","title":"Photographs","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eIn stock, last copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ethird printing, March 2021\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e136 pages\u2028\u003cbr\u003e25 colour \u0026amp; 39 duotone plates\u2028\u003cbr\u003e24 x 25.5 cm\u2028\u003cbr\u003eEmbossed linen hardcover with tip-on\u2028\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e-\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003eLoose Joints is proud to present\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e, a story of British artist Jack Davison’s experiments with image making from 2007 to present.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eA self-taught photographer, Davison makes pictures like a painter paints, using intuition and instinct to craft photographs that excavate the surreal and sensual from the fabric of daily life. Relying heavily on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003echiaroscuro\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the power of photography to obscure as well as reveal, Davison’s unique, crafted approach to image-making oscillates from crisp, sharp details into dissolving mirages – the world inverted and submerged.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eWith their deep shadows and tight framing, the images in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehave an unmistakably cinematic quality; each layered image leaves a breadcrumb trail of associations that extend far beyond its initial context. Despite Jack’s recent successes, he remains humble and all-encompassing in his photography, and the book indistinguishably shifts from staged, meticulous editorial setups to simple everyday occurrences, infused with mystery and depth.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eTwo recurring motifs in Davison’s work are the hand and the eye: here a clenched fist, there caressing a face; here glaring out from a billboard and elsewhere shimmering in a reflection. They represent a dynamic tension within Davison’s work, of seeing versus feeling, or the threshold between perception and imagination. The delicate sequence in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhotographs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehovers between these two states, creating a complex, soulful interpretation of the world through Jack's enigmatic portraits, landscapes and still lifes.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eJack Davison (b.1990) studied English Literature at Warwick University but spent most of the time experimenting with cameras. Since the age of 14 he has continuously photographed those around him. He lives in London and works for numerous publications including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times Magazine, M Le Monde, Luncheon, Double\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBritish Vogue,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebut spends most of his time shooting for his ongoing personal work. He had his first solo exhibition,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRevisiting Pictures\u003c\/em\u003e, at the Foam Fotografiemuseum Amsterdam in 2016.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cul class=\"detail-list\"\u003e\u003c\/ul\u003e","brand":"Jack Davison","offers":[{"title":"Default Title","offer_id":39250924404810,"sku":"","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Jack_Davison_cover_6616a94d-bd05-4c62-83ae-4ba58fb0f054.jpg?v=1614784850"},{"product_id":"seascapes","title":"Seascapes","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003e128 pages, 64 colour plates, 160 × 240 mm\u003c\/li\u003e\n\u003cli\u003eSwiss softcover perfect-bound with cold glue\u003c\/li\u003e\n\u003cli\u003eDesigned by Faye \u0026amp; Gina\u003c\/li\u003e\n\u003cli\u003eJuly 2021\u003c\/li\u003e\n\u003cli\u003eLoose Joints\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFrench artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeascapes \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a series made by Rousteau while artist-in-residence on a boat o\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eff \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the barest constituent elements – water, air and light. Often saturated, interrupted or out of focus, his photographs are series of playful experiments navigating between figuration and abstraction, painting and digital art. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese constructed landscapes invite us to consider the point where human imagination interacts with the landscape - how fantasies of distance, displacement and faraway places are projected onto the horizon. Existing somewhere between vision, imagination and a surreal, submerged reality, Rousteau extends this fiction through globetrotting captions and an innovative design that invites readers to rip away and reappropriate the seascapes as their own.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003ePaul Rousteau (b.1985) graduated from the Vevey photography school in Switzerland in 2010. By pushing the camera to its limits, he creates new forms of perception. The result made of vivid colours and enigmatic figures has something of a daydream with a touch of kaleidoscopic hallucinations. Mixing fine arts and fashion, his photographs have been published in the New York Times, M Le Monde, Dazed \u0026amp; Confused and The New Yorker. Paul Rousteau has also worked for companies such as Hermès, BMW or Louis Vuitton. In 2017, he was part of the final selection of the Hyères festival of fashion and photography and was nominated in 2019 for the HSBC prize. He is represented by Galerie du Jour Agnès b. in France and by the Forma Art Contemporain in Switzerland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Paul Rousteau","offers":[{"title":"Default Title","offer_id":39348581761098,"sku":"","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Paul_Rousteau_Seascapes_1080x1080cover.jpg?v=1625993230"},{"product_id":"paintings-signed-copy","title":"PAINTINGS - signed copy","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003eLondon: \u003c\/span\u003e\u003cspan itemprop=\"publisher\"\u003eLoose Joints,\u003c\/span\u003e\u003cspan\u003e 2017.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan itemprop=\"bookEdition\"\u003e1,000 copies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eSIGNED. 160 pages, 90 color plates, 22.2 x 26.5 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003ePaintings by Harley Weir presents images made as a form of digression from the artists' traditional photographic practice. Known for her intimate and striking approach to portraiture, the images in Paintings attempt to erase from the frame her concerns with trust, power and permission that weigh upon the act of photographing others.\u003c\/span\u003e\u003c\/div\u003e","brand":"Harley Weir","offers":[{"title":"Default Title","offer_id":39370145431626,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/paintings_6211e789-ee4a-4eed-b30b-d3f05e3fade7.jpg?v=1628242025"},{"product_id":"material","title":"MATERIAL","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePr order Ships end of September 2021\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e160pp, 190 × 242 mm, 100 photos\u003cbr data-mce-fragment=\"1\"\u003eClothbound silkscreened hardcover \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePoetry by Rachael Allen\u003cbr data-mce-fragment=\"1\"\u003eSeptember 2021\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLoose Joints\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA striking new photographic voice engages with street portraiture to create dark, interior psychological spaces exploring the relationship between public and private lives.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish artist Jet Swan’s first monograph collects together the last three years of the artist's engagement with members of the public through impromptu studio spaces, such as an empty shopfront inside a commercial mall in Scarborough, northeast England, and a repurposed community hall in Ramsgate, Kent, where the artist lives and works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSwan balances the public identities nurtured and maintained by those who pass through her studio against darker, intimate photographic spaces, contrasting private and tactile images of the body with photographs that skirt around the margins of conventional staged portraiture. With a new text in response by acclaimed poet Rachael Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eJet Swan (b.1990) grew up in North Yorkshire. Her work moves between the parameters of documentary and classical portraiture. She lives and works in Ramsgate, Kent.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jet Swan","offers":[{"title":"Default Title","offer_id":39401599762506,"sku":"","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/jetcover.jpg?v=1632138360"},{"product_id":"apiary","title":"Apiary","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePRE ORDER\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eshipping early January 2022\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e132pp, 250 × 250 mm, 60 tritone plates\u003cbr data-mce-fragment=\"1\"\u003eClothbound embossed quarter-bound hardcover\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLoose joints 2021\u003cbr\u003e*\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #333333;\" color=\"#333333\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobin Friend's second book \u003cem\u003eApiary \u003c\/em\u003econtinues to explore the surreal and sinister haunting of the British landscape he first depicted in \u003cem\u003eBastard Countryside\u003c\/em\u003e with an apocalyptic, nocturnal series flirting with notions of democracy and resistance.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #333333;\" color=\"#333333\"\u003e\u003cspan\u003e\u003cem\u003eApiary\u003c\/em\u003e uses a cinematic lens to uncover the dark underbelly of Lewes, a town in South East England renowned for its wild, bacchanalian, festivities around Guy Fawkes’ Night, the uniquely British festivity celebrating the failure of an attempted act of extreme political terrorism. However, Friend’s images are a far cry from an exercise in folklore; tight cropping, intensified details and a push-and-pull between the crowd and individual recall images of riots and political insurrections.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #333333;\" color=\"#333333\"\u003e\u003cspan\u003e*\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003eRobin Friend (b.1983) is a London-based photographer who grew up in Melbourne, Australia. He divides his time between his fine art practice and commissioned work. His first book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBastard Countryside\u003c\/em\u003e, was published by Loose Joints in 2018 to critical acclaim. \u003cbr\u003e\u003cbr\u003eRecent projects include the award-winning books\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSanctuary: Britain’s Artists and their Studios\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt Studio America\u003c\/em\u003e (Thames \u0026amp; Hudson, 2011-13); a collaborative choreographic work for the BBC,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWinged Bull in the Elephant Case\u003c\/em\u003e (2017, with Wayne McGregor); and a National Gallery exhibition project, documenting the gallery's wartime art storage in a Snowdonian mine (2018). Friend's work has been exhibited at Aperture Gallery, New York; Christie's, Paris and at the National Gallery, National Portrait Gallery, Somerset House \u0026amp; the Royal Academy of Arts in London.\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003ePress:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.theguardian.com\/lifeandstyle\/gallery\/2021\/nov\/05\/freedom-debauchery-dissent-lewes-bonfire-celebrations-in-pictures\"\u003eThe Guardian\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.1854.photography\/2021\/11\/robin-friend-apiary\/\"\u003eBritish Journal of Photography\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Robin Friend","offers":[{"title":"Default Title","offer_id":39518879187018,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Robin-Apiary-shots_real_1080x1080_1.jpg?v=1638406593"},{"product_id":"robin-graubard-road-to-nowhere","title":"Road to Nowhere","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e228pp, 160 × 205 mm, 130 photos\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExtended texts by the artist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSection-sewn softcover with painted black edges\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 2022\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLOOSE JOINTS\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3\u003eGraubard’s raw diaries of Eastern Europe from 1993–1995 reveal a fearless and unflinching record of turbulence and change across the Balkans.\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003eLoose Joints is proud to introduce\u003cem\u003e Road to Nowhere\u003c\/em\u003e, the first publication of an under-represented voice in photographic storytelling. Coming of age in the counterculture and New York punk scenes of the 60s and 70s, Graubard’s intimate and striking colour approach to photography found a voice of its own when she packed up and embedded herself within Eastern Europe during the early nineties, witnessing the Yugoslav War, Bosnian genocide, and Kosovan uprising.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWorking solo, Graubard chased stories as her heart led her, uncovering the suffering and hardship of orphanages, institutions, warfare, and hunger, as well as the joyfulness of emerging subcultures and post-Soviet identity among the young populations across Russia, Czechoslovakia, Bulgaria, Serbia, Bosnia and more. With many images remaining almost completely unseen for nearly thirty years, \u003cem\u003eRoad to Nowhere\u003c\/em\u003e will be the first major publication of Graubard’s work.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Robin Graubard","offers":[{"title":"Default Title","offer_id":43545605144840,"sku":"","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Bildschirmfoto2067Kopie.jpg?v=1654469697"},{"product_id":"i-can-t-stand-to-see-you-cry-1","title":"I can’t stand to see you cry","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eSecond printing 2022\u003c\/li\u003e\n\u003cli\u003e*\u003c\/li\u003e\n\u003cli\u003e112 pages, 58 tritone plates, 235 × 265 mm\u003c\/li\u003e\n\u003cli\u003ePrinted embossed hardcover\u003c\/li\u003e\n\u003cli\u003eSeptember 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"A year and change into father's diagnosis, his nightly calls began to become more frequent. My sister and I, his youngest children, spent countless hours in his room caring for him as his body gave up. Many nights we'd leave his room both knowing his condition was getting much worse, but we chose to say nothing of it.\"\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eI can't stand to see you cry\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an exploration of Texas and the surrounding states, as well as the people who are fixed within its complex landscape. Fortune analyses relationships between family, friends and strangers ,all caught in a flood of health and environmental issues while working to maintain grace. The artist uses his own personal experiences to explore the friction between public and private life, and the unspoken tensions in daily life through an approach rooted in the landscape. Moreover, Fortune’s biographical approach to photography attempts to unpack his own identity and experience in the midst of a pandemic, civil unrest, a cross-country move, a career, and the loss of a parent, thinking about both the future and past.\u003c\/div\u003e","brand":"Rahim Fortune","offers":[{"title":"Default Title","offer_id":43615470584072,"sku":"","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Rahim_shots-cover-contrast_1080x1080_c3a28baa-ab2a-432f-a74d-1e3f4b623ab4.jpg?v=1659976772"},{"product_id":"broken-spectre","title":"Broken Spectre","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eIn Stock\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003ePublished by Loose Joints in collaboration with 180 Studios and Converge 45\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e392pp, 245 × 320 mm, 342 photos and film stills\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMosse pushes the boundaries of photography to raise an urgent warning cry over catastrophic destruction in the Amazon rainforest.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cul style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eSection-sewn softcover on multiple paper stocks\u003cbr\u003ewith 48pp booklet in English and Portuguese\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eTexts by Txai Suruí, Christian Viveros-Fauné, Gabriel Bogossian, and Jon Lee Anderson; interview with the artist by Hans Ulrich Obrist\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eSeptember 2022\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003eDevastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.\u003cbr\u003e\u003cbr\u003eBroken Spectre is an immersive, 72-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems. \u003cbr\u003e\u003cbr\u003eBroken Spectre operates on multiple scales: inky, fluorescent microscopic imagery describes the interdependent complexity of the Amazonian biome in scientific detail, while cinematic monochrome infrared scenes track illegal mining, logging and burning, industrial agriculture and indigenous activism. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMeanwhile, airborne multispectral footage starkly renders vast swathes of empty land in contrast to the lush rainforest, showing the vast scale and systematic organisation of the Amazon’s destruction.\u003cbr\u003e\u003cbr\u003eIn accompanying photographic works, Mosse renders the invisible visible: through multispectral cameras that emulate satellite imaging technology, alongside ultraviolet botanical studies, and heat-sensitive analogue film warped, mottled and degraded by the oppressive environment and by the burning forest itself. Accompanying these experimental documentary works are Mosse's hypnotically vivid aerial maps, which zoom out and colourise the scale and extent of natural decimation in piercing detail, employing specially-made Geographic Information System (GIS) imaging technology. \u003cbr\u003e\u003cbr\u003eAs climate change continues to define our era and the future of the planet, Mosse bears witness to a rapidly unfolding catastrophe: recent scientific studies predict that the Amazon is close to reaching a tipping point, at which stage it will no longer be able to generate rain, triggering mass forest dieback and carbon release at devastating levels, impacting climate change, biodiversity, and local and international communities. Mosse shows both human sides of the tragedy: from the Yanomami and Munduruku Indigenous communities fighting for survival; to illegal gold miners poisoning and destroying entire river systems for tiny handfuls of gold; alongside Brazilian cowboys wilfully burning their pristine surroundings to create pasture for cattle to sell on international meat and leather markets. \u003cbr\u003e\u003cbr\u003eCreated from 2019 to 2022, Broken Spectre is published ahead of gravely significant general elections in Brazil, in which Jair Bolsanaro’s victory may seal the destruction of the irreplaceable Amazon forever.\u003cbr\u003e\u003cbr\u003eBroken Spectre is also exhibited at 180 Studios, London, 12 October – 18 December 2022; the National Gallery of Victoria, Melbourne, Australia, 30 September 2022 – 23 April 2023; and the Converge 45 Biennial, opening 24 August 2023 in Portland, Oregon.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Richard Mosse","offers":[{"title":"Default Title","offer_id":43615492505864,"sku":"","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Mosse_shots57.jpg?v=1702035896"},{"product_id":"daniel-jack-lyons-like-a-river","title":"Like a River","description":"\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003eIN STOCK\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e112pp, 225 × 265 mm, 70 photos\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003eDebossed hardcover with dust jacket, exclusively produced using recycled materials\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e*\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 style=\"text-align: center;\"\u003eAn anthropological exploration of identity, transformation and coming-of-age amongst marginalised communities in the heart of the Amazon. \u003c\/h3\u003e\n\u003cbr\u003e\u003cspan\u003eDaniel Jack Lyons’ debut monograph continues the American artist’s long-term commitments to visualising the social and political rights of under-represented communities. Initially from a background of social and medical anthropology, Lyons began working in the Amazon under the umbrella of Casa do Rio, a community-based organisation that celebrates and supports the cultural lives of teenagers and young people living in the depths of the Amazon. Lyons particularly visualises and empowers the trans and queer communities of the region, exploring how deep indigenous traditions and modern identity politics meet in a celebratory, safe space, deep in the lush canopies and vegetation of the rainforest.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eLyons’ empowering images celebrate the perennial coming-of-age impulses to express and affirm one’s individuality, resilient here in the Amazon against a toxic mix of environmental degradation, violence, and discrimination. As another generation passes through the quotidian rites and rituals of adolescence, Lyons asks: what sort of world will they inhabit, and how much autonomy will they have over it?\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e*\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Daniel Jack Lyons","offers":[{"title":"Default Title","offer_id":43615504269576,"sku":"","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Daniel_shots18copy_1080x1080_61af53f0-6fda-45d0-adeb-114d20b7bc72.jpg?v=1659982724"},{"product_id":"copy-of-photographs-1","title":"Song Flower - Print edition","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eIn Stock!\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003ePrint Edition of \u003c\/span\u003e\u003ca href=\"https:\/\/loosejoints.biz\/products\/song-flowers-print-edition\"\u003e\u003cem\u003eSong Flowers\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e \u003c\/em\u003eby Jack Davison, each comprising:\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e- An archival pigment print, 8 × 10” on Hahnemühle Photo Rag\u003cbr\u003e- signed and numbered by the artist in an edition of 100\u003cbr\u003e- A signed copy of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSong Flowers.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e*\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" title=\"Page 4\" class=\"page\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"layoutArea\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new body of work made amongst Miao artisans in Southwest China, exploring how time and modernity interact with ancient traditions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2019, Davison was invited by fashion house Marni to capture the feeling and rhythm of this special area of China through his distinctive eye. The Miao are one of the oldest ethnic groups in China and are globally renowned for their intricately handmade clothing and patterns, as well as imaginative local festivals and myths. However, rather than focusing directly on the much documented material culture of the Miao, Davison’s images preoccupy themselves with the backdrops, workshops, faces and hands that shape Miao culture in modern-day China. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSong Flowers \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eeschews the intricate and grandiose to look at the intimate and everyday - the hammers laid down after a day’s silverwork, the highway running over the waterlilies, or the stray threads \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eaccu- mulating in the weaver’s workshop. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavison’s calming images invite us to slow down, to adopt the gentle rhythms of sewing, embroidery and metalwork, while also considering how these rhythms exist alongside those of modern Chinese life. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cul class=\"detail-list\"\u003e\u003c\/ul\u003e","brand":"Jack Davison","offers":[{"title":"Default Title","offer_id":44083738509576,"sku":"","price":550.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/cover_7e939184-28e7-45aa-ba26-10407a62551f.jpg?v=1675270081"},{"product_id":"a-perfect-sentence","title":"A Perfect Sentence","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"detail-list\"\u003e\u003c\/ul\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli style=\"text-align: center;\"\u003e\u003cstrong\u003eShipping mid August 203\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e240 pages, 200 × 250 mm, 112 colour plates\u003cbr data-mce-fragment=\"1\"\u003ewith a 24-page text by the artist\u003cbr data-mce-fragment=\"1\"\u003eSection-sewn silkscreened debossed cloth hardcover\u003cbr\u003eWith three cover variations and painted edges\u003cbr\u003ePLEASE NOTE: Covers are randomly assigned and cannot be chosen.\u003cbr\u003e\u003cbr\u003eDesigned and Published by Loose Joints Studio\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"text-align: center;\"\u003e *\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChanarin explores the drive for attention, the complexity of being seen and the anxiety of being overlooked, in photographic encounters across Britain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003eOliver Frank Chanarin\u003c\/span\u003e's practice has long pushed against the edges of the photographic medium to interrogate dynamics of power and visibility, and challenge the ethics of documentary photography. Following the dissolution of the twenty-year creative partnership Broomberg \u0026amp; Chanarin, the artist's first solo project returns to an origin point: using the camera and the photographic encounter to speak towards, penetrate, and critique our lived experience. Drawing as much from August Sander as W. G. Sebald, Chanarin's photographic wanderings and auto-fictional experiments engage with the artist's subjectivity while querying the slippery terrain of documentary photography.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eChanarin often finds himself on the margins – from suburban fetish clubs to accident-faking ambulance chasers, or from amateur dramatics groups in church halls to gender activists protesting in the streets. In a country fragmented by political polarisation, pandemic isolation and the weaponisation of identity politics, Chanarin attempts to reconcile the eccentricity of Britishness with the pressing need for new forms of representation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eLike Chanarin's previous projects,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Perfect Sentence\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecrisscrosses the line between discipline and chance: organised collaborative photoshoots with institutional partners give way to chance encounters with strangers and friends, missteps and wilful attempts at getting lost in the world, chaos in the darkroom, and self-critical texts. Chanarin refuses the authority of a final image, opting only to present in-progress darkroom prints that show the processes of correction, redaction and selection, the images refusing to resolve themselves. The Sisyphean and futile task of distilling a country onto the page becomes grist for the mill as Chanarin's candid images – sometimes uncomfortable and disquieting, elsewhere bucolically British – accrue and coagulate, like thick piled slabs of buttered toast.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eCommissioned and produced by Forma in collaboration with eight UK organisations,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Perfect Sentence\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eculminates in a series of regional exhibitions, in the series is presented in different iterations: from framed works continuously mounted and unmounted from the gallery walls by a robotic arm trained to respond to patterns of audience attention, to a suite of screenprints, to outdoor poster exhibitions.\u003c\/div\u003e","brand":"Oliver Frank Chanarin","offers":[{"title":"Default Title","offer_id":44239126036744,"sku":"","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Oliver_shots2_1080x1080_86c0b7ad-dc63-4857-a2e8-95123ae5567c.jpg?v=1691259344"},{"product_id":"the-model-family","title":"The Model Family","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e172pp, 200 x 250 mm, 140 photos\u003cbr data-mce-fragment=\"1\"\u003eDebossed OTA-bound sewn softcover with tip-in and flaps\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eText by Lisa Taddeo\u003cbr data-mce-fragment=\"1\"\u003eEdited by Sarah Chaplin Espenon\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003eDesigned and Published by Loose Joints\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003eJanuary 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #000000;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003eEllis Ritter’s first monograph \u003c\/span\u003e\u003cem\u003e\u003cspan color=\"#E22400\" data-mce-fragment=\"1\"\u003eThe\u003c\/span\u003e\u003c\/em\u003e\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eModel Family\u003c\/em\u003e \u003c\/span\u003e\u003cspan color=\"#E22400\" data-mce-fragment=\"1\"\u003eloops\u003c\/span\u003e\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003e and deconstructs family photographs of the past and her own contemporary images, in the process confronting head-on the ambiguity of photography and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan color=\"#FF0000\" data-mce-fragment=\"1\"\u003eits\u003c\/span\u003e\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003erole in memory and identity. \u003c\/span\u003e\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003eHowever, far from being a space of nostalgia,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Model Family\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores family dynamics with unflinching detail: death, birth, conflict, divorce and sexuality mix matter-of-factly alongside conventional, aspirational nuclear normality: pets, marriage\u003c\/span\u003e\u003cspan color=\"#333333\" data-mce-fragment=\"1\"\u003e, smiling faces, deep summer evenings. In Ellis Ritter’s circular conception of the family, imperceptibly oscillating between the past and the present, the artist explores how the images of those closest to you are also often the most slippery, sliding just out of reach.\u003c\/span\u003e\u003cspan style=\"color: #333333;\" color=\"#333333\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tealia Ellis Ritter","offers":[{"title":"Default Title","offer_id":44929198260488,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Schermata2023-11-30alle14.47.39.jpg?v=1701353102"},{"product_id":"hardtack","title":"Hardtack","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb\u003eIN STOCK\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cul class=\"detail-list\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e144 pages, 238 × 287 mm, 72 tritone plates\u003cbr data-mce-fragment=\"1\"\u003eSection-sewn clothbound debossed hardcover\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a text by Imani Perry\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by Sarah Chaplin Espenon at Loose Joints\u003cbr data-mce-fragment=\"1\"\u003eDesigned \u0026amp; Published by Loose Joints\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLJ198, March 2024\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e -\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eFortune uplifts the long-enduring nature of Black culture and traditions in the American South across ten years of portraiture rooted in history and the landscape.\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eFlour, water, and salt. These are the sole ingredients that make Hardtack: a Civil War-era food long-associated with survivalism, land migration, and its extremely long shelf life. Drawing from this history as a metaphor for the long-enduring nature of Black culture and traditions,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHardtack\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003euncovers the roots that tie Fortune's native landscape to the conflicts and nuances associated with the post-emancipation Americas.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the follow-up to his breakout monograph\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI can't stand to see you cry\u003c\/em\u003e, Fortune borrows from the language of vernacular and archival photography to interrogate the historical relationship of his community to photography; rooted in the landscape, Fortune often uses sites of historical and cultural interest as a guide but not a subject, implying the deep ties that bind modern Black communities resiliently to their regions, in the face of both adversity and joy.\u003cbr\u003e\u003cbr\u003eA significant theme in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHardtack\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Fortune’s striking portraits of coming-of-age traditions. Inside, young bull-riders, praise dancers, and pageant queens inherit and gracefully embrace these forms of community ritual. Fortune's dignifying eye pays tribute to these cultural performances' rigour, discipline and creative flair, alongside the intergenerational conversation between young people and elders handing down these traditions. Collecting together nearly a decade of work, Hardtack continues Fortune’s weaving of documentary and personal history, marking a sincere expression of love and passion to a region that has nourished the artist personally and creatively, while also marking an important contribution to photographing the American South.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom Loose Joints's Website.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rahim Fortune","offers":[{"title":"Default Title","offer_id":45496789074184,"sku":"","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Rahim_Hardtack_shots_1080x1080_fba1bc7e-74d7-4473-8d47-129bb78f5978.webp?v=1713533441"},{"product_id":"office","title":"Office","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"s2\"\u003ePRE-ORDER!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s2\"\u003eCOMING SOON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eOffice\u003c\/i\u003e: Landscape debsossed hardcover with tip-on, 120pp, 295 x 282 mm\u003cbr\u003e\u003ci\u003eLA Office\u003c\/i\u003e: Stapled debossed brochure with cloth cover, 32pp, 182 x 282 mm\u003cbr\u003eHoused in a debossed slipcase\u003cbr\u003e\u003cbr\u003eDesigned by Greger Ulf Nilson\u003cbr\u003ePublished in collaboration with the Lars Tunbjörk Foundation\u003cbr\u003eWith a text by David Graeber\u003cbr\u003e\u003cbr\u003eLJ192, November 2024\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s2\"\u003e*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\"Tunbjörk's iconic 2001 photobook of corporate\u0026amp;nbsp;melancholy is re-published in a luxurious slipcased edition, alongside an exclusive, unreleased series.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description__inner\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eLoose Joints is honoured to announce the posthumous re-publication of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOffice\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eby legendary Swedish photographer Lars Tunbjörk, alongside the release of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLA Office –\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ean unpublished series completed shortly before his passing. Tunbjörk's iconic series from\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003ethe turn of the 21st century\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003edelves into the bureaucracy, disorder, and mundanity of office culture with masochistic delight, capturing the soul-sapping environments of corporate spaces with unparalleled insight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eOver five years, Tunbjörk explored offices across Stockholm, New York, and Tokyo, photographing 'like an alien' in the soulless, banal uniformity of these workplaces. He sought to capture that lingering sadness in what he called \"the most common – but closed and secretive – place in the Western world.\" While the winds of change may have transformed the grey dividers into WeWork couches or the clunky dialup PC into a sleek, pocketable touchscreen tablet, Tunbjörk's images capture a contingent sense of ennui and isolation still prescient in an era of bullshit jobs, quiet quitting and working from home.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eThis two-volume series is redesigned by Tunbjörk's close collaborator, graphic designer and art director Greger Ulf Nilson. Nilson reworks his original 2001 design of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOffice\u003c\/i\u003e, presenting a fresh perspective alongside a separate book of unseen works in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLA Office,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eboth housed in a slipcase\u003ci\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"s1\"\u003eThe book is published in collaboration with Lars Tunbjörk Foundation\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFrom Publisher's website.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lars Tunbjörk","offers":[{"title":"Default Title","offer_id":50662687179016,"sku":"","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Screenshot2025-01-24alle14.42.26.png?v=1737727224"},{"product_id":"companions-signed-copy-copy","title":"Companions - signed copy","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product__description__inner\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\" class=\"layoutArea\"\u003e\n\u003cul class=\"detail-list\"\u003e\n\u003cli style=\"text-align: center;\"\u003e\u003cstrong\u003epre order - shipping end of March 2025\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e112 pages, 170 × 240 mm, 52 tritone plates\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eSection-sewn quarter-bound silkscreened hardcover\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cbr\u003eEdited by Sarah Chaplin Espenon at Loose Joints\u003cbr\u003eDesigned and Published by Loose Joints\u003cbr\u003e\u003cbr\u003eLJ176, February 2023 \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e*\u003c\/li\u003e\n\u003c\/ul\u003e\nWernicke documents with subtle grace the close bonds between two young women and the farm animals that they rescue, love, play with and care for, in a series mixing German romanticism and modern ethics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Berger’s landmark \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhy Look at Animals?\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003edescribes the ‘species loneliness’ of modern man: how the ancient relationships between humans and nature have broken down, reducing the existence of animals to marginalised objects, as commodities, and as Other. Concerned with modern humanity’s yearning for a deeper connection to ecology, Wernicke’s series is a touching portrait of two young women who have established profound relationships with animals. Rosina and Julie each independently save animals from certain death and create bonds of love and trust with animals typically considered solely for their economic value.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn German, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompanions\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, or \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWeggefährten\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is a hybrid word that translates literally as ‘those who walk the path together’. Through tenderness, touch and intuition, Wernicke’s camera follows that path – of joy, emotions, tenderness and play between humans and animals – striving to close the gulf between our emotional consciousness and those of the other animals we live alongside.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cul style=\"text-align: center;\" class=\"detail-list\"\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eYana Wernicke (b. 1990) is a German photographer currently based in a small town close to Frankfurt am Main. Her work often revolves around the photographic depiction of animals and humankind’s relationship to nature and other beings.\u003cbr\u003e\u003cbr\u003eRecent publications include \u003cem\u003eZenker\u003c\/em\u003e (Edition Patrick Frey, 2021) in collaboration with Jonas Feige, which addresses the history of German colonialism in Cameroon.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yana Wernicke","offers":[{"title":"Default Title","offer_id":50920020115720,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/products\/Yana_Shots_1080x1080_73e57fc8-9b1e-48db-a78a-9fa6356dc9e5.webp?v=1677184563"},{"product_id":"you-are-what-you-do-signed-copy","title":"You Are What You Do - signed copy","description":"\u003cul class=\"detail-list\"\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eIN STOCK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSection-sewn landscape hardcover with dust jacket and holographic sticker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e275 x 225 mm, 184 pages, 124 colour plates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned on a sticker\u003cbr\u003e\u003cbr\u003eEdited by Sarah Chaplin Espenon\u003cbr\u003eDesigned by Loose Joints Studio\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e, a monograph by Daniel Arnold — one of New York’s most renowned and obsessive modern street photographers. Over the past fifteen years, Arnold has become a cult figure in the city’s visual culture, known for his raw, humanistic encounters with its citizens and for collaborations spanning from the Safdie brothers to the Met Gala and beyond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRooted in a well-trodden lineage of New York street photography, Arnold’s work channels the chaos, chutzpah, humour and vitality that define the city, yet \u003c\/span\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e reveals something more: a tenderness and empathy that courses through every frame. There are genuine moments of sadness and grief mixed with joy, alongside spontaneous, unscripted scenes of pure street cinema, blended with candid images from fashion shoots and film sets, all sitting effortlessly within Arnold’s generous visual language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking from a vast archive, this generous landscape-format monograph distills Arnold’s signature wry, tragicomic style into a spacious and classical book object. From the glamorous heights of high culture to the downtrodden and overlooked, \u003c\/span\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e draws a wide, empathetic circle around New York’s characters and charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Daniel Arnold","offers":[{"title":"Default Title","offer_id":52222229217544,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/1_4ea28555-4406-4a37-b79b-0e7a284743eb.webp?v=1755446578"},{"product_id":"you-are-what-you-do","title":"You Are What You Do","description":"\u003cul class=\"detail-list\"\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eIN STOCK\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSection-sewn landscape hardcover with dust jacket and holographic sticker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e275 x 225 mm, 184 pages, 124 colour plates\u003cbr\u003e\u003cbr\u003eEdited by Sarah Chaplin Espenon\u003cbr\u003eDesigned by Loose Joints Studio\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e, a monograph by Daniel Arnold — one of New York’s most renowned and obsessive modern street photographers. Over the past fifteen years, Arnold has become a cult figure in the city’s visual culture, known for his raw, humanistic encounters with its citizens and for collaborations spanning from the Safdie brothers to the Met Gala and beyond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRooted in a well-trodden lineage of New York street photography, Arnold’s work channels the chaos, chutzpah, humour and vitality that define the city, yet \u003c\/span\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e reveals something more: a tenderness and empathy that courses through every frame. There are genuine moments of sadness and grief mixed with joy, alongside spontaneous, unscripted scenes of pure street cinema, blended with candid images from fashion shoots and film sets, all sitting effortlessly within Arnold’s generous visual language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking from a vast archive, this generous landscape-format monograph distills Arnold’s signature wry, tragicomic style into a spacious and classical book object. From the glamorous heights of high culture to the downtrodden and overlooked, \u003c\/span\u003e\u003cem\u003eYou Are What You Do\u003c\/em\u003e\u003cspan\u003e draws a wide, empathetic circle around New York’s characters and charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Daniel Arnold","offers":[{"title":"Default Title","offer_id":52222234558728,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/1_4ea28555-4406-4a37-b79b-0e7a284743eb.webp?v=1755446578"},{"product_id":"the-great-room","title":"The Great Room","description":"\u003cul class=\"detail-list\"\u003e\n\u003cli\u003eIN STOCK\u003c\/li\u003e\n\u003cli\u003e88 pages, 40 tritone plates, 219 \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e×\u003c\/span\u003e 290 mm\u003c\/li\u003e\n\u003cli\u003eSection-sewn debossed printed hardcover\u003cbr\u003eWith a text by the artist\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned by Loose Joints Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003ch3\u003eHubbard uses performance and domestic architecture to explore grief, motherhood, queerness and the labour of caregiving.\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUsing large-format cameras and experimental darkroom techniques,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Great Room\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a profoundly personal series by interdisciplinary artist Katherine Hubbard in collaboration with her mother. In 2020 — a year defined by introspection, caretaking, and the upheaval of the COVID-19 pandemic — Hubbard's mother began experiencing severe memory loss, later diagnosed as LATE, a brain disease mimicking the symptoms of Alzheimer's.\u003c\/p\u003e\n\u003cp\u003eIn collaboration with her mother, Hubbard transforms her family home — a space both overwhelming and deeply familiar — into a psychological landscape. These cluttered rooms  become a layered stage where her mother serves as partner in an ongoing exploration of the real and performed. Together, they create photographs that engage with daily rituals such as bathing, organising, and watching TV: compositions that blend seamlessly with unguarded intimacy. This photographic series ruptures the quotidian in an exploration of care work, memory, grief, and the entropy of loss.\u003c\/p\u003e\n\u003cp\u003eHubbard’s practice pushes against the flattening of the photographic image, critically engaging performance, sculptural elements, and the implicit power dynamics in the social contract between the photographer and her subject. This is the first time Hubbard has consistently photographed another person. Here, photography becomes more than documentation; it is an entanglement of touch and gesture; the domestic and the maternal; which confront the pain of losing the familiar essence of her mother. In addition Hubbard creates experimental body contact prints in the darkroom with her mother that trace the textures of skin and the physicality of aging. These tactile works materialise ability and the weight of time, celebrating the complexity of their relationship while questioning the roles of artist, subject, and collaborator. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Great Room\u003c\/em\u003e, Hubbard reimagines the home as a space where photography transforms care and the slow grief of dementia into a powerful act of presence and love.\u003c\/p\u003e","brand":"Katherine Hubbard","offers":[{"title":"Default Title","offer_id":57874801721608,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/files\/Katie_shots_1080x1080_809ab7b2-000a-4414-a408-fe79e8fbcccc.webp?v=1779475754"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/0315\/4246\/collections\/Bildschirmfoto_2399.jpg?v=1659979868","url":"https:\/\/www.kominekominekominek.shop\/collections\/loose-joints\/loose-joints-publishing.oembed","provider":"Kominek ","version":"1.0","type":"link"}